group exhibitions

2018

  • grâce au dessin, Art Mur, Montreal

2017

  • Summer Show, 1301PE Gallery, Los Angeles
  • Pivotal: Highlights from the Collection, Orange County Museum of Art, Newport Beach, CA
  • The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Seattle, Washington

2016

  • LA Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, Los Angeles
  • Still Life with Fish: Photography from the Collection, Hammer Museum,
    Los Angeles
  • See You on the Other Side, 601 Artspace, New York
  • We Were Here: Absence of the Figure, Orange County Museum of Art, Newport Beach, CA
  • Refenestration, Tif Sigfrids, Los Angeles
  • New to the Collection: 20th Century Photography, Snite Art Museum, Notre Dame, Indiana

2015

  • The Memory of Time: Contemporary Photographs Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art,
    Washington, D. C.
  • FRAMING DESIRE: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX
  • Director’s Cut: Recent Photography Gifts to the NCMA; North Carolina Museum of Art, Raleigh, North Carolina
  • Another Minimalism: Art after California Light and Space, The Fruitmarket Gallery, Edinburgh; traveled to: Warwick Arts Centre, Univ. of Warwick, Coventry, England
  • The Monochrome Symphony: Single-Coloured Constellations of Art, Design, Fashion & Music, ARTIPELAG, Gustavsberg, Sweden
  • Paper Trail: Contemporary Prints, Drawings and Photographs from the Collection, Colby College Museum of Art, Waterville, Maine

2014

  • A World of Its Own: Photographic Practices in the Studio, Museum of Modern Art, New York City
  • From the Permanent Collection, The Art Institute of Chicago, Chicago
  • de Marseillaise / fifteen years of collecting: Huis Marseille, Museum for Photography, Amsterdam
  • The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York City
  • I feel the need to express something, but I don’t know what it is I want to express. Or how to express it., Park View, Los Angeles

2013

  • AGAIN: Repetition, Obsession and Meditation in the Lannan Collection, Lannan Foundation, Santa Fe, New Mexico
  • At The Window: The Photographer’s View. J.Paul Getty Museum, Los Angeles
  • LENS DRAWINGS, Marian Goodman Gallery, Paris
  • A Sense of Place, Pier 24 Photography, San Francisco
  • SUMMER OF PHOTOGRAPHY, Carolina Nitsch Project Room, New York City
  • Pivot Points: 15 Years and Counting/MoCA’s Fifteenth Anniversary Celebration, Museum of Contemporary Art (MoCA), North Miami, Florida
  • I Think it’s in my Head, Girls’ Club: Contemporary Art by Women, Ft. Lauderdale, Florida

2012

  • The Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art (LACMA), Los Angeles
  • Making Sense: Contemporary LA Photo Artists, Art Gallery of New South Wales, Sydney
  • flowerCASTLE 2012, Kasteel Keukenhof, Holland, Netherlands
  • In the Holocene,
 MIT List Visual Arts Center, Cambridge, MA
  • OppenheimerCollection@20 Nerman Museum of Contemporary Art, Kansas City
  • Transparent, Lannan Foundation, Santa Fe
  • Greetings from Los Angeles, Starkwhite Gallery, Auckland , New Zealand
  • Staring at the Wall: The Art of Boredom, Lawndale Art Center, Houston
  • America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design
  • Open Field, ROLU Residency, Walker Art Center, Minneapolis
  • “ROLU: Open Field Artist Residency” at Walker Art Center, Minnesota
  • Telegrams on the Table: An Interrupted Allegory + Picaresque Adventure, video wall at the World Financial Center Winter Garden – 200 Vesey Street, New York
  • Los Angeles/ Mexico: Complejidades y heterogeneidad, Fundacion/Coleccion Jumex, Mexico City

2011

  • Magical Consciousness, Arnolfini Centre for Contemporary Arts, Bristol, England
  • Inner Light: The Meaning of Light Between Contemporary Painting and Photography, Erica Fiorentini Arte Contemporanea, Rome

2010

  • Inside Out: Photography After Form: Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation (CIFO), Miami
  • Place as Idea, Worcester Art Museum, Worcester, Massachusetts
  • The Artist Museum, Museum of Contemporary Art (MoCA) and Geffen Contemporary at MoCA, Los Angeles
  • Modern Women: Women Artists at The Museum of Modern Art, Museum of Modern Art, New York City
  • Contemporary Impressionism: light, color, form and time, LA Art House, Los Angeles
  • Starburst, Color Photography in America 1970–1980, Princeton University Art Museum, Princeton, New Jersey
  • Del paisaje recente, Museo Colecciones Ico, Madrid
  • Incognito: The Hidden Self Portrait, Yancey Richardson Gallery, New York City
  • Thrice upon a time, Magazin 3, Stockholm Konsthall, Stockholm
  • The Traveling Show, Colección Jumex, Mexico City
  • Gimme Shelter, Nerman Museum of Contemporary Art, Overland Park, Kansas
  • InVisible: Art at the Edge of Perception, MASS MoCA, North Adams, Massachusetts
  • State of Mind: A California Invitational, Museum of Photographic Arts (MOPA), San Diego, California
  • Meet Me Inside, Gagosian Gallery, Los Angeles
  • Library of Babel/In and Out of Place, Zabludowicz Collection, London

2009

  • Photography Rotation, The Museum of Modern Art (MoMA), New York City
  • Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana
  • Elements of Photography, Museum of Contemporary Art (MCA), Chicago
  • Flower Power, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
  • The Reach of Realism, Museum of Contemporary Art (MoCA), North Miami, Florida
  • Winter Light, 1301PE, Los Angeles
  • History of Photography in the Microsoft Art Collection, Microsoft Art Collection, Redmond, Washington

2008

  • The Faraway/Nearby: Landscapes and Urban views from the Permanent Collection, Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro
  • BESart—The Present: An Infinite Dimension, Museu Colecção Berardo, Lisbon
  • Held Together with Water (Spaces / Places), Istanbul Museum of Modern Art, Istanbul
  • Inside/Outside: Interior and Exterior in Contemporary German Photography, Museum Küppersmühle für Moderne Kunst, Innenhafen Duisburg, Germany
  • Las Vegas Collects Contemporary, Las Vegas Art Museum (LVAM), Las Vegas
  • Memory Is Your Image of Perfection, Museum of Contemporary Art San Diego (MCASD), San Diego, California
  • SAM at 75: Building a Collection for Seattle, Seattle Art Museum (SAM), Seattle
  • Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego, Museum of Contemporary Art, Sydney
  • This Side of Paradise: Body and Landscape in L. A. Photographs, The Huntington Library, San Marino, California; traveled as Le paradis, ou presque: Los Angeles (1865–2008) to: Musée de l’Elysée, Lausanne; Musée Nicéphore Niépce, Chalon-sur-Saône, France
  • Affinities, Alignments, Collisions, 601Artspace, New York City
  • Gallery Koyanagi, Tokyo
  • Photographic Works (To Benefit the Foundation for Contemporary Arts), Cohan and Leslie, New York City
  • Seeing the Light, Tanya Bonakdar Gallery, New York City
  • Viewfinder, Henry Art Gallery, Seattle

2007

  • Depth of Field: Modern Photography at the Metropolitan, The Metropolitan Museum of Art, New York City
  • Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London
  • Is this all there is to fire? A show about boredom, High Energy Constructs, Los Angeles
  • Multiple Vantage Points: Southern California Women Artists, 1980–2006, Los Angeles Municipal Art Gallery, Los Angeles
  • Nerman Museum of Contemporary Art, Overland Park, Kansas
  • Seeing Things, Dorsky Gallery, University of Massachusetts, Amherst, Massachusetts
  • Viewfinder, Henry Art Gallery, Seattle

2006

  • City Limits: Shanghai – Los Angeles, University Art Museum, California State University, Long Beach
  • Inner go go, vamiali’s, Athens
  • A Curator’s Eye, Los Angeles County Museum of Art, Los Angeles
  • Los Ángeles / México: Complejidades y heterogeneidad, Colección Jumex, Mexico City
  • Me, Myself and I, Vancouver Art Gallery, Vancouver
  • Memory of Unknown Relatives, 1522 Gallery in collaboration with ACME., Venice, California
  • New Acquisitions, Moderna Museet, Stockholm
  • Paisajes fotográficos, entre la topografía y la abstracción, PHotoEspaña 2006, Madrid
  • Tracking and Tracing: Contemporary Art Acquisitions 2000–2005, San Diego Museum of Art, San Diego, California
  • Shifting Terrain, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
  • Whisper Not! A Different Dimension of Seeing, Huis Marseille / H+F Collection, Amsterdam

2005

  • Back from Nature, Institute of Contemporary Art, Maine College of Art, Portland, Maine
  • Frontiers: Collecting the Art of our Time, Worcester Art Museum, Worcester, Massachusetts
  • New View, Gallery of Art, Carlsen Center, Johnson County Community College, Overland Park, Kansas
  • Out There: Landscape in the New Millennium, Museum of Contemporary Art, Cleveland
  • Southern Exposure, Museum of Contemporary Art San Diego (MCASD), San Diego and La Jolla, California
  • Das Verlorene Paradies: Die Landschaft in der zeitgenössischen Photographie, Stiftung Opelvillen, Rüsselsheim, Germany
  • Controlled, Tanya Bonakdar Gallery, New York City
  • Barbara Krakow Gallery, Boston
  • Beyond Delirious: Architecture in Selected Photographs from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation, Miami

2004

  • Atmosphere, Museum of Contemporary Art (MCA), Chicago
  • From House to Home: Picturing Domesticity, Museum of Contemporary Art (MoCA), Los Angeles
  • In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo
  • The World Becomes a Private World, Mills College Art Museum, Oakland
  • Pairings, Dallas Center for Contemporary Art, Dallas
  • Photography and Place: Contemporary Work from the Museum’s Collection, Rhode Island School of Design Museum, Providence
  • Barbara Krakow Gallery, Boston
  • Dranoff Fine Art, New York City
  • Winter Time, ACME., Los Angeles
  • Godt-Cleary Gallery, Las Vegas
  • Neue Editionen, Edition Schellmann, Munich
  • Double Exposure, Galerie Hafenrichter & Flügel, Nürnberg
  • Adam Baumgold Gallery, New York City
  • Landscape, Rena Bransten Gallery, San Francisco

2003

  • Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Solomon R. Guggenheim Museum, New York; traveled to Guggenheim Museum, Bilbao
  • Public Record, The Museum of Contemporary Art, Los Angeles
  • Imagine: Selections from the Permanent Collection, Museum of Contemporary Art,  (MoCA), North Miami
  • New Selections from the Permanent Collection, Orange County Museum of Art, Newport Beach
  • Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore; traveled to Palm Beach Institute of Contemporary Art, Lake Worth, Florida
  • ACME. @ Inman, Inman Gallery, Houston
  • Edition Speciale, Galerie Suzanne Tarasiève, Paris
  • Beside, ACME., Los Angeles

2002

  • History/Memory/Society: Displays from the Permanent Collection, Tate Modern, London
  • Visions of America: Photography from the Whitney Museum Collection, Whitney Museum of American Art, New York City
  • We Love Painting: Contemporary Art from the Misumi Collection, Museum of Contemporary Art, Tokyo
  • Looking at America, Yale University Art Gallery, New Haven
  • Global Address, Fisher Gallery, University of Southern California, Los Angeles
  • Majestic Sprawl: Some Los Angeles Photography, Pasadena Museum of California Art, Pasadena
  • Stepping Back, Moving Forward> Human Interaction in an Interactive Age, Pittsburgh Center for the Arts, Pittsburgh
  • Double Exposure, Edition Schellmann, Munich; traveled to: Edition Schellmann, New York; Barbara Krakow Gallery, Boston; Shearburn Gallery, St. Louis; Pulliam Deffenbaugh Gallery, Portland, Oregon; Traywick Contemporary, Berkeley; Galeria 2000 GbR, Nuremberg; Brigitte March, Stuttgart; Galerie Graff, Montreal; Inman Gallery, Houston; Godt-Cleary Projects, Las Vegas
  • Strolling Through an Ancient Shrine and Garden, ACME., Los Angeles

2001

  • From the Permanent Collection, Orange County Museum of Art, Newport Beach
  • 00/01, James Harris Gallery, Seattle
  • The Dreams That Stuff Is Made Of: Selections Show, curated by David Pagel, Frankfurt Art Fair, Frankfurt

2000

  • Open Ends: White Spectrum, The Museum of Modern Art, New York City
  • Departures: 11 Artists at the Getty, J. Paul Getty Museum, Los Angeles
  • Tate Modern: Ten Artists, Ten Images, Tate Modern, London
  • Insites: Interior Spaces in Contemporary Art, Whitney Museum of American Art at Champion, Champion, Connecticut
  • A Lasting Legacy, Orange County Museum of Art, Newport Beach
  • Photography Now: An International Survey of Contemporary Photography, Contemporary Arts Center, New Orleans
  • Beyond Boundaries: Contemporary Photography in California, The Friends of Photography/Ansel Adams Center for Photography, San Francisco; traveled in California to: University Art Museum, California State University, Long Beach; Santa Barbara Contemporary Arts Forum, Santa Barbara
  • Imperfektum, Museet for Samtidskunst, Oslo; traveled in Norway to: Rogaland Kunstmuseum, Stavanger; Trondheim Kunstmuseum, Trondheim; Fylkesgalerie, Namsos; Bomullsfabrikken, Arendal; Billedgalerie, Haugesund; Bodo Kunstforening, Bodo; Aalesunds Kunstforening, Aalesund
  • Muscle: Power of the View, Boulder Museum of Contemporary Art, Boulder, Colorado
  • Photography about Photography, Andrew Kreps, New York City
  • Manifesto!, Blue Gallery, London
  • ACME., Los Angeles
  • Bonakdar Jancou Gallery, New York City
  • Frame: Uta Barth, Duncan Higgins, Carter Potter, Site Gallery, Sheffield, England

1999

  • Apposite Opposites, Museum of Contemporary Art (MCA), Chicago
  • Domesticated, Worcester Art Museum, Worcester, Massachusetts
  • Heads Up: Highlights from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
  • Photography: An Expanded View, Recent Acquisitions, Solomon R. Guggenheim Museum, New York City; traveled to Guggenheim Bilbao, Bilbao
  • Umeå kommuns konstinköp under 90–talet i urval, BildMuseet Umeå, Umeå, Sweden
  • double vision, Nexus Contemporary Art Center, Atlanta
  • The Stroke: An Overview of Contemporary Painting, curated by Nine Painters, Exit Art, New York City
  • Shift, ACME., Los Angeles
  • Rattling the Frame: The Photographic Space 1977–1999, Camerawork, San Francisco
  • Under/Exposed, Public Art Project, Stockholm
  • The 15th National Biennial Exhibition of the Los Angeles Printmaking Society, Laband Art Gallery, Loyola Marymount University, Los Angeles
  • Kerlin Gallery, Dublin
  • Threshold: Invoking the Domestic in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, Wisconsin; traveled to Contemporary Art Center of Virginia, Virginia Beach
  • Conceptual Art as a Neurobiologic Praxis and The Neuro-aesthetic Reading Room, Thread Waxing Space, New York City

1998

  • Abstract Painting, Once Removed, Contemporary Arts Museum (CAMH), Houston; traveled to: Kemper Museum of Contemporary Art, Kansas City, Missouri; Museum of Contemporary Art (MCA), Chicago; Albright-Knox Art Gallery, Buffalo
  • Directions: Photography from the Permanent Collection, Whitney Museum of American Art, New York City
  • Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore
  • New to Houston, Museum of Fine Arts, Houston
  • Photography’s Multiple Roles: Art, Documents, Market, Science, Museum of Contemporary Photography, Chicago
  • Selections from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
  • Claustrophobia, Ikon Gallery, Birmingham, England; traveled to: Middlesbrough Art Gallery, Middlesbrough, England; Harris Museum, Preston, England; Mapping Art Gallery, Sheffield, England; Cartwright Hall, Bradford, England; Esbjerg Kunstmuseum, Esbjerg, Denmark; Centre for Visual Arts, Cardiff, Wales
  • From the Heart: The Power of Photography (Sondra Gilman Collection), Art Museum of South Texas, Corpus Christi
  • Multiplicity, Vanderbilt University Fine Arts Gallery, Nashville
  • Photography at Princeton, Princeton University Art Museum, Princeton, New Jersey
  • Uta Barth, Nancy Chunn, Anthony Caro, Institute of Contemporary Art, Maine College of Art, Portland
  • (Not Pictured) The Presence of Absence, The Light Factory, Charlotte, North Carolina
  • New Editions, Brooke Alexander/Brooke Alexander Editions, New York City
  • Picture Show, Weinstein Gallery, Minneapolis
  • Precursor, Tanya Bonakdar Gallery, New York City
  • LA Cool, Rocket Gallery, London; traveled to Galerie Brüning + Zischke, Düsseldorf, Germany
  • Women Who Shoot, Newspace, Los Angeles
  • Spread, Rena Bransten Gallery, San Francisco
  • Preview, London Projects, London
  • Multiples, Elizabeth Leach Gallery, Portland, Oregon
  • Situacionismo, Galería OMR, Mexico City

1997

  • Blueprint, de Appel arts centre, Amsterdam
  • Defining Eye: Women Photographers of the Twentieth Century, St. Louis Art Museum, St. Louis; traveled to: Mead Art Museum, Amherst College, Amherst, Massachusetts; Wichita Art Museum, Wichita; UCLA Hammer Museum, Los Angeles; The National Museum of Women in the Arts, Washington, D. C.
  • Developing a Collection: The Ralph M. Parsons Foundation and the Art of Photography, Los Angeles County Museum of Art (LACMA), Los Angeles
  • Elusive Paradise: Los Angeles Art from the Permanent Collection, The Museum of Contemporary Art (MoCA), Los Angeles
  • Evidence: Photography and Site, Wexner Center for the Arts, Columbus; traveled to: Cranbrook Art Museum, Bloomfield Hills, Michigan; The Power Plant, Toronto; Miami Art Museum, Miami
  • Heart, Mind, Body, Soul: American Art in the 1990s, Whitney Museum of American Art, New York City
  • New Acquisitions: Works on Paper, Museum of Contemporary Art (MCA), Chicago
  • Object and Abstraction: Contemporary Photography, The Museum of Modern Art (MoMA), New York City
  • Painting into Photography/Photography into Painting, Museum of Contemporary Art (MoCA), North Miami
  • Scene of the Crime, Armand Hammer Museum of Art, Los Angeles
  • Spheres of Influence, The Museum of Contemporary Art, Los Angeles
  • Anthony Caro, Uta Barth & Nancy Chunn, Institute of Contemporary Art, Maine College of Art, Portland
  • Coda: Photographs by Uta Barth, Günther Forg, Jack Pierson, and Carolien Stikker, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
  • Digital Ink: Uta Barth, Peter Halley, William Leavitt, James Welling, Center for Visual Communication, Coral Gables, Florida
  • Light Catchers, Bennington College Art Gallery, Bennington, Vermont
  • Passing the Tradition: California Photography, José Drudis-Biada Art Gallery, Mount St. Mary’s College, Los Angeles
  • Uta Barth, Jean Baudrillard, Luigi Gherri, Parco Gallery, Tokyo
  • Uta Barth, Rineke Dijkstra, Tracey Moffatt, Inez van Lamsweerde, Matthew Marks Gallery, New York City
  • Summer Show, Tanya Bonakdar Gallery, New York City
  • Twenty years…almost, Robert Miller Gallery, New York City
  • Making Pictures, Bernard Toale Gallery, Boston
  • Portraits of Interiors, Gallery Blancpain Stepczynski, Geneva
  • L. A. International Biennial: Portraits of Interiors, Patricia Faure Gallery, Santa Monica, California
  • Grands Maîtres du XXième, Galerie Vedovi, Brussels
  • ACME., Santa Monica, California
  • Pool, Rena Bransten Gallery, San Francisco

1996

  • Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, Museum of Contemporary Art (MoCA), North Miami
  • Just Past: The Contemporary in the Permanent Collection, 1975–96, The Museum of Contemporary Art (MoCA), Los Angeles
  • Light · Time · Focus, Museum of Contemporary Photography, Chicago
  • Painting: The Extended Field, Rooseum: Centre for Contemporary Art, Malmö
  • Summer Show, Tanya Bonakdar Gallery, New York City
  • Sweden; traveled to Magasin 3, Stockholm Konsthall, Stockholm
  • Absence, Guggenheim Gallery, Chapman University, Orange
  • Clarity, NIU Art Gallery, Northern Illinois University, Chicago
  • Making Pictures: Women and Photography, 1975 – Now, Nicole Klagsbrun, New York City
  • Portraits of Interiors, Studio la Città, Verona
  • silence, Lawing Gallery, Houston
  • ACME., Santa Monica, California
  • Extended Minimal, Max Protetch, New York City
  • Tanya Bonakdar Gallery, New York City
  • Blind Spot: The First Four Years, Paolo Baldacci Gallery, New York City
  • Nature Redux, Channing Peak Gallery, Santa Barbara Arts Commission, Santa Barbara; traveled to Harris Art Gallery, University of La Verne, La Verne, California
  • …e la chiamano pittura, Studio la Città, Verona
  • Wrestling with the Sublime: Contemporary German Art in Southern California, CSUF Main Art Gallery, California State University, Fullerton
  • Chalk, Factory Place Gallery, Los Angeles
  • Swag & Puddle, The Work Space, New York City

1995

  • Human / Nature, The New Museum of Contemporary Art, New York City
  • New Photography 11, The Museum of Modern Art (MoMA), New York City
  • P.L.A.N., Los Angeles County Museum of Art (LACMA), Los Angeles
  • Contemporary Photography from the Permanent Collection, Princeton Art Museum, Princeton, New Jersey
  • Content and Discontent, Bruce Museum of Arts and Science, Greenwich; traveled to: University Gallery, Moscow, Idaho; Lowe Art Museum, University of Miami, Coral Gables, Florida
  • ACME., Santa Monica, California
  • Contemporary Collections – Autumn 95, Los Angeles Center for Photographic Studies, Los Angeles
  • Between Breath and Air: Uta Barth, Karin Davie, Shirley Irons, Patrick Callary Gallery, New York City
  • From Here to There: Tactility and Distraction, California Medical Arts, Santa Monica, California
  • Sitting Pretty, Los Angeles Contemporary Exhibitions, Los Angeles
  • Neotoma, Otis Art Gallery, Los Angeles
  • ACME., Santa Monica, California
  • Presence: Recent Portraits, Angles Gallery, Santa Monica, California
  • Rena Bransten Gallery, San Francisco

1994

  • The Abstract Urge, The Friends of Photography/Ansel Adams Center for Photography, San Francisco
  • Breda Fotografica ‘94, De Beyerd, Center of Contemporary Art, Breda, The Netherlands
  • Love in the Ruins, Long Beach Museum of Art, Long Beach
  • New Acquisitions, Los Angeles County Museum of Art (LACMA), Los Angeles
  • Flow, Cerritos College Art Gallery, Cerritos, California
  • Diverse Perspectives, San Bernardino County Museum of Art, Redlands, California
  • Diderot and the Last Luminaire, Waiting for the Enlightenment (A Revised Encyclopedia) or The Private Life of Objects, Southern Exposure at Project Artaud, San Francisco; traveled to SITE, Los Angeles
  • ACME., Santa Monica, California
  • The World of Tomorrow, Tom Solomon’s Garage, Los Angeles
  • Issues of Image, Haines Gallery, San Francisco
  • Transtextualism, Mark Moore Gallery, Santa Monica, California
  • Gallery 954, Chicago
  • Jayne Baum Gallery, New York City

1993

  • Index in French, California Museum of Photography (CMP), University of California, Riverside
  • A Carafe, That Is a Blind Glass…, Weingart Gallery, Los Angeles
  • P.O.P – A Trilogy, Susan Landau Gallery/1529 Wellesley, Los Angeles
  • Project Box, domestic setting, Los Angeles
  • From Without, The Portfolio, Los Angeles

1992

  • Voyeurism, Jayne Baum Gallery, New York City
  • Abstraction in the ‘90s, Jan Kesner Gallery, Los Angeles
  • FAR Bazzar, Foundation for Art Resources (FAR), Los Angeles
  • Jayne Baum Gallery, New York City

1991

  • L. A. Times: Eleven Los Angeles Artists, Boise Art Museum, Boise; traveled to Western Gallery, Western Washington University, Bellingham, Washington

1990

  • Spirit of Our Time, Contemporary Arts Forum, Santa Barbara
  • The Conceptual Impulse, Security Pacific Gallery, Costa Mesa, California

1989

  • Deliberate Investigations: Recent Works by Four Los Angeles Artists, Los Angeles County Museum of Art (LACMA), Los Angeles
  • Inland Empire Artist Exhibition, San Bernardino County Museum of Art, Redlands, California
  • The Narrative Frame, Rio Hondo College Art Gallery, Whittier, California
  • University Art Gallery, University of California, Riverside
  • Uta Barth, Jeff Beall, Paul Boettcher, Eric Magnuson, Roy Boyd Gallery, Santa Monica, California
  • Thick and Thin: Photographically Inspired Painting, Fahey/Klein Gallery, Los Angeles
  • Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles
  • Logical Conclusions, Jan Kesner Gallery, Los Angeles

1987

  • LAICA Artist Exhibition, Los Angeles Institute of Contemporary Art (LAICA), Beverly Hills
  • The Flower Show, Theatre Art Gallery, Design Center, Los Angeles

1986

  • Proof and Perjury, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles

1985

  • Emerging Artists, Frederick S. Wight Gallery, University of California, Los Angeles

1984

  • Werkstadt für Photographie, Berlin
  • Photography, Large Scale New Work, Rex W. Wignal Museum Gallery, Alta Loma, California

1982

  • 56th Annual Crocker-Kingsley Exhibition, E. B. Crocker Art Museum, Sacramento
  • Five Photographers, Joseph Dee Museum of Photography, San Francisco