2026
Destiny is a Rose: The Eileen Harris Norton Collection, Hauser & Wirth, Los Angeles
MoCP at Fifty: Collecting through the Decades, Museum of Contemporary Photography, Chicago
MoCP at Fifty: Collecting through the Decades, Museum of Contemporary Photography, Chicago
2025
Split Diopter 2, SCI-Arc Gallery, Los Angeles
What They Saw: Historical Photobooks by Women, 1843 – 1999, Getty Museum, Los Angeles
Blur / Obscure / Distort: Photography and Perception, Norton Museum of Art, West Palm Beach
Anonymous Was a Woman: The First 25 Years, Grey Art Museum at New York University, New York City
What They Saw: Historical Photobooks by Women, 1843 – 1999, Getty Museum, Los Angeles
Blur / Obscure / Distort: Photography and Perception, Norton Museum of Art, West Palm Beach
Anonymous Was a Woman: The First 25 Years, Grey Art Museum at New York University, New York City
2024
Space, Sight & Line, The Church, Sag Harbor
Women’s Work, Nora Eccles Harrison Museum of Art, Logan
Women’s Work, Nora Eccles Harrison Museum of Art, Logan
2023
Concerning Nature, Tanya Bonakdar Gallery, New York City
Group Exhibition, 1301PE, Los Angeles
Group Exhibition, 1301PE, Los Angeles
2022
Split Diopter, Guggenheim Gallery at Chapman University, Orange
Breaking up, Phoenix Art Museum, Phoenix
Breaking up, Phoenix Art Museum, Phoenix
2021
Winter Darkness, 1301PE, Los Angeles
In The Now: Gender and Nation in Europe, Selections from the Sir Mark Fehrs Haukohol Collection, LACMA, Los Angeles
In The Now: Gender and Nation in Europe, Selections from the Sir Mark Fehrs Haukohol Collection, LACMA, Los Angeles
2020
Photography to the Test of Abstraction, FRAC Normandie Rouen
Mapping Internal Landscapes, 1301PE Gallery, Los Angeles
Uta Barth: Two Sides of the Coin, 1301PE GalleryPlatform.la, Los Angeles, Online Exhibition
Mapping Internal Landscapes, 1301PE Gallery, Los Angeles
Uta Barth: Two Sides of the Coin, 1301PE GalleryPlatform.la, Los Angeles, Online Exhibition
2019
1301PE@GBT, Galerie Barbara Thumm, Berlin
In Living Memory, Oliver Sears Gallery, Dublin
Living in a Lightbulb, Tanya Bonakdar Gallery, Los Angeles
Mapping Space: Recent Acquisitions in Focus, J.Paul Getty Museum, Los Angeles
Framing Time, Denk, Los Angeles
In Living Memory, Oliver Sears Gallery, Dublin
Living in a Lightbulb, Tanya Bonakdar Gallery, Los Angeles
Mapping Space: Recent Acquisitions in Focus, J.Paul Getty Museum, Los Angeles
Framing Time, Denk, Los Angeles
2018
Forsaken Utopias: Photographs From The OCMA Permanent Collection, OCMA, Santa Ana
PHOTOGRAPHY + BOOKS Out of the Retina and Into the Brain: The Art Library of Aaron and Barbara Levine, The Art Institute of Chicago, Chicago
How They Ran, Over The Influence, Los Angeles
grâce au dessin, Art Mur, Montreal
PHOTOGRAPHY + BOOKS Out of the Retina and Into the Brain: The Art Library of Aaron and Barbara Levine, The Art Institute of Chicago, Chicago
How They Ran, Over The Influence, Los Angeles
grâce au dessin, Art Mur, Montreal
2017
Summer Show, 1301PE Gallery, Los Angeles
Pivotal: Highlights from the Collection, Orange County Museum of Art, Newport Beach, CA
The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Seattle, Washington
Pivotal: Highlights from the Collection, Orange County Museum of Art, Newport Beach, CA
The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Seattle, Washington
2016
LA Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, Los Angeles
Still Life with Fish: Photography from the Collection, Hammer Museum, Los Angeles
See You on the Other Side, 601 Artspace, New York
We Were Here: Absence of the Figure, Orange County Museum of Art, Newport Beach, CA
Refenestration, Tif Sigfrids, Los Angeles
New to the Collection: 20th Century Photography, Snite Art Museum, Notre Dame, Indiana
Still Life with Fish: Photography from the Collection, Hammer Museum, Los Angeles
See You on the Other Side, 601 Artspace, New York
We Were Here: Absence of the Figure, Orange County Museum of Art, Newport Beach, CA
Refenestration, Tif Sigfrids, Los Angeles
New to the Collection: 20th Century Photography, Snite Art Museum, Notre Dame, Indiana
2015
The Memory of Time: Contemporary Photographs Acquired with the Alfred H. Moses and Fern M. Schad Fund, National Gallery of Art, Washington, D. C.
FRAMING DESIRE: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX
Director’s Cut: Recent Photography Gifts to the NCMA; North Carolina Museum of Art, Raleigh, North Carolina
Another Minimalism: Art after California Light and Space, The Fruitmarket Gallery, Edinburgh; traveled to: Warwick Arts Centre, Univ. of Warwick, Coventry, England
The Monochrome Symphony: Single-Coloured Constellations of Art, Design, Fashion & Music, ARTIPELAG, Gustavsberg, Sweden
Paper Trail: Contemporary Prints, Drawings and Photographs from the Collection, Colby College Museum of Art, Waterville, Maine
FRAMING DESIRE: Photography and Video, Modern Art Museum of Fort Worth, Fort Worth, TX
Director’s Cut: Recent Photography Gifts to the NCMA; North Carolina Museum of Art, Raleigh, North Carolina
Another Minimalism: Art after California Light and Space, The Fruitmarket Gallery, Edinburgh; traveled to: Warwick Arts Centre, Univ. of Warwick, Coventry, England
The Monochrome Symphony: Single-Coloured Constellations of Art, Design, Fashion & Music, ARTIPELAG, Gustavsberg, Sweden
Paper Trail: Contemporary Prints, Drawings and Photographs from the Collection, Colby College Museum of Art, Waterville, Maine
2014
A World of Its Own: Photographic Practices in the Studio, Museum of Modern Art, New York City
From the Permanent Collection, The Art Institute of Chicago, Chicago
de Marseillaise / fifteen years of collecting: Huis Marseille, Museum for Photography, Amsterdam
The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York City
I feel the need to express something, but I don’t know what it is I want to express. Or how to express it., Park View, Los Angeles
Between the Lines, Tanya Bonakdar Gallery, New York
From the Permanent Collection, The Art Institute of Chicago, Chicago
de Marseillaise / fifteen years of collecting: Huis Marseille, Museum for Photography, Amsterdam
The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York City
I feel the need to express something, but I don’t know what it is I want to express. Or how to express it., Park View, Los Angeles
Between the Lines, Tanya Bonakdar Gallery, New York
2013
Public Art Project, UCSF Medical Campus, San Francisco
AGAIN: Repetition, Obsession and Meditation in the Lannan Collection, Lannan Foundation, Santa Fe, New Mexico
At The Window: The Photographer’s View. J.Paul Getty Museum, Los Angeles
LENS DRAWINGS, Marian Goodman Gallery, Paris
A Sense of Place, Pier 24 Photography, San Francisco
SUMMER OF PHOTOGRAPHY, Carolina Nitsch Project Room, New York City
Pivot Points: 15 Years and Counting/MoCA’s Fifteenth Anniversary Celebration, Museum of Contemporary Art (MoCA), North Miami, Florida
I Think it’s in my Head, Girls’ Club: Contemporary Art by Women, Ft. Lauderdale, Florida
AGAIN: Repetition, Obsession and Meditation in the Lannan Collection, Lannan Foundation, Santa Fe, New Mexico
At The Window: The Photographer’s View. J.Paul Getty Museum, Los Angeles
LENS DRAWINGS, Marian Goodman Gallery, Paris
A Sense of Place, Pier 24 Photography, San Francisco
SUMMER OF PHOTOGRAPHY, Carolina Nitsch Project Room, New York City
Pivot Points: 15 Years and Counting/MoCA’s Fifteenth Anniversary Celebration, Museum of Contemporary Art (MoCA), North Miami, Florida
I Think it’s in my Head, Girls’ Club: Contemporary Art by Women, Ft. Lauderdale, Florida
2012
The Lost Line: Contemporary Art from the Collection, Los Angeles County Museum of Art (LACMA), Los Angeles
Making Sense: Contemporary LA Photo Artists, Art Gallery of New South Wales, Sydney
flowerCASTLE 2012, Kasteel Keukenhof, Holland, Netherlands
In the Holocene, MIT List Visual Arts Center, Cambridge, MA
OppenheimerCollection@20 Nerman Museum of Contemporary Art, Kansas City
Transparent, Lannan Foundation, Santa Fe
Greetings from Los Angeles, Starkwhite Gallery, Auckland, New Zealand
Staring at the Wall: The Art of Boredom, Lawndale Art Center, Houston
America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design
Open Field, ROLU Residency, Walker Art Center, Minneapolis
“ROLU: Open Field Artist Residency” at Walker Art Center, Minnesota
Telegrams on the Table: An Interrupted Allegory + Picaresque Adventure, video wall at the World Financial Center Winter Garden – 200 Vesey Street, New York
Los Angeles/ Mexico: Complejidades y heterogeneidad, Fundacion/Coleccion Jumex, Mexico City
Making Sense: Contemporary LA Photo Artists, Art Gallery of New South Wales, Sydney
flowerCASTLE 2012, Kasteel Keukenhof, Holland, Netherlands
In the Holocene, MIT List Visual Arts Center, Cambridge, MA
OppenheimerCollection@20 Nerman Museum of Contemporary Art, Kansas City
Transparent, Lannan Foundation, Santa Fe
Greetings from Los Angeles, Starkwhite Gallery, Auckland, New Zealand
Staring at the Wall: The Art of Boredom, Lawndale Art Center, Houston
America in View: Landscape Photography 1865 to Now, Museum of Art, Rhode Island School of Design
Open Field, ROLU Residency, Walker Art Center, Minneapolis
“ROLU: Open Field Artist Residency” at Walker Art Center, Minnesota
Telegrams on the Table: An Interrupted Allegory + Picaresque Adventure, video wall at the World Financial Center Winter Garden – 200 Vesey Street, New York
Los Angeles/ Mexico: Complejidades y heterogeneidad, Fundacion/Coleccion Jumex, Mexico City
2011
Magical Consciousness, Arnolfini Centre for Contemporary Arts, Bristol, England
Inner Light: The Meaning of Light Between Contemporary Painting and Photography, Erica Fiorentini Arte Contemporanea, Rome
Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston
Inner Light: The Meaning of Light Between Contemporary Painting and Photography, Erica Fiorentini Arte Contemporanea, Rome
Conversations: Photography from the Bank of America Collection, Museum of Fine Arts, Boston
2010
Inside Out: Photography After Form: Selections from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation (CIFO), Miami
Place as Idea, Worcester Art Museum, Worcester, Massachusetts
The Artist’s Museum, Museum of Contemporary Art (MoCA) and Geffen Contemporary at MoCA, Los Angeles
Modern Women: Women Artists at The Museum of Modern Art, Museum of Modern Art, New York City
Contemporary Impressionism: light, color, form and time, LA Art House, Los Angeles
Starburst, Color Photography in America 1970–1980, Princeton University Art Museum, Princeton, New Jersey
Del paisaje recente, Museo Colecciones Ico, Madrid
Incognito: The Hidden Self Portrait, Yancey Richardson Gallery, New York City
Thrice upon a time, Magazin 3, Stockholm Konsthall, Stockholm
The Traveling Show, Colección Jumex, Mexico City
Gimme Shelter, Nerman Museum of Contemporary Art, Overland Park, Kansas
InVisible: Art at the Edge of Perception, MASS MoCA, North Adams, Massachusetts
State of Mind: A California Invitational, Museum of Photographic Arts (MOPA), San Diego, California
Meet Me Inside, Gagosian Gallery, Los Angeles
Library of Babel/In and Out of Place, Zabludowicz Collection, London
Place as Idea, Worcester Art Museum, Worcester, Massachusetts
The Artist’s Museum, Museum of Contemporary Art (MoCA) and Geffen Contemporary at MoCA, Los Angeles
Modern Women: Women Artists at The Museum of Modern Art, Museum of Modern Art, New York City
Contemporary Impressionism: light, color, form and time, LA Art House, Los Angeles
Starburst, Color Photography in America 1970–1980, Princeton University Art Museum, Princeton, New Jersey
Del paisaje recente, Museo Colecciones Ico, Madrid
Incognito: The Hidden Self Portrait, Yancey Richardson Gallery, New York City
Thrice upon a time, Magazin 3, Stockholm Konsthall, Stockholm
The Traveling Show, Colección Jumex, Mexico City
Gimme Shelter, Nerman Museum of Contemporary Art, Overland Park, Kansas
InVisible: Art at the Edge of Perception, MASS MoCA, North Adams, Massachusetts
State of Mind: A California Invitational, Museum of Photographic Arts (MOPA), San Diego, California
Meet Me Inside, Gagosian Gallery, Los Angeles
Library of Babel/In and Out of Place, Zabludowicz Collection, London
2009
Photography Rotation, The Museum of Modern Art (MoMA), New York City
Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana
Elements of Photography, Museum of Contemporary Art (MCA), Chicago
Flower Power, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
The Reach of Realism, Museum of Contemporary Art (MoCA), North Miami, Florida
Winter Light, 1301PE, Los Angeles
History of Photography in the Microsoft Art Collection, Microsoft Art Collection, Redmond, Washington
Chelsea Visits Havana, Museo Nacional de Bellas Artes, Havana
Elements of Photography, Museum of Contemporary Art (MCA), Chicago
Flower Power, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
The Reach of Realism, Museum of Contemporary Art (MoCA), North Miami, Florida
Winter Light, 1301PE, Los Angeles
History of Photography in the Microsoft Art Collection, Microsoft Art Collection, Redmond, Washington
2008
The Faraway/Nearby: Landscapes and Urban views from the Permanent Collection, Weatherspoon Art Museum, University of North Carolina at Greensboro, Greensboro
BESart—The Present: An Infinite Dimension, Museu Colecção Berardo, Lisbon
Held Together with Water (Spaces / Places), Istanbul Museum of Modern Art, Istanbul
Inside/Outside: Interior and Exterior in Contemporary German Photography, Museum Küppersmühle für Moderne Kunst, Innenhafen Duisburg, Germany
Las Vegas Collects Contemporary, Las Vegas Art Museum (LVAM), Las Vegas
Memory Is Your Image of Perfection, Museum of Contemporary Art San Diego (MCASD), San Diego, California
SAM at 75: Building a Collection for Seattle, Seattle Art Museum (SAM), Seattle
Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego, Museum of Contemporary Art, Sydney
This Side of Paradise: Body and Landscape in L. A. Photographs, The Huntington Library, San Marino, California; traveled as Le paradis, ou presque: Los Angeles (1865–2008) to: Musée de l’Elysée, Lausanne; Musée Nicéphore Niépce, Chalon-sur-Saône, France
Affinities, Alignments, Collisions, 601Artspace, New York City
Gallery Koyanagi, Tokyo
Photographic Works (To Benefit the Foundation for Contemporary Arts), Cohan and Leslie, New York City
Seeing the Light, Tanya Bonakdar Gallery, New York City
BESart—The Present: An Infinite Dimension, Museu Colecção Berardo, Lisbon
Held Together with Water (Spaces / Places), Istanbul Museum of Modern Art, Istanbul
Inside/Outside: Interior and Exterior in Contemporary German Photography, Museum Küppersmühle für Moderne Kunst, Innenhafen Duisburg, Germany
Las Vegas Collects Contemporary, Las Vegas Art Museum (LVAM), Las Vegas
Memory Is Your Image of Perfection, Museum of Contemporary Art San Diego (MCASD), San Diego, California
SAM at 75: Building a Collection for Seattle, Seattle Art Museum (SAM), Seattle
Southern Exposure: Works from the Collection of the Museum of Contemporary Art San Diego, Museum of Contemporary Art, Sydney
This Side of Paradise: Body and Landscape in L. A. Photographs, The Huntington Library, San Marino, California; traveled as Le paradis, ou presque: Los Angeles (1865–2008) to: Musée de l’Elysée, Lausanne; Musée Nicéphore Niépce, Chalon-sur-Saône, France
Affinities, Alignments, Collisions, 601Artspace, New York City
Gallery Koyanagi, Tokyo
Photographic Works (To Benefit the Foundation for Contemporary Arts), Cohan and Leslie, New York City
Seeing the Light, Tanya Bonakdar Gallery, New York City
2007
Depth of Field: Modern Photography at the Metropolitan, The Metropolitan Museum of Art, New York City
Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London
Is this all there is to fire? A show about boredom, High Energy Constructs, Los Angeles
Multiple Vantage Points: Southern California Women Artists, 1980–2006, Los Angeles Municipal Art Gallery, Los Angeles
Nerman Museum of Contemporary Art, Overland Park, Kansas
Seeing Things, Dorsky Gallery, University of Massachusetts, Amherst, Massachusetts
Viewfinder, Henry Art Gallery, Seattle
Final Exhibition at 4 Clifford Street, Alison Jacques Gallery, London
Is this all there is to fire? A show about boredom, High Energy Constructs, Los Angeles
Multiple Vantage Points: Southern California Women Artists, 1980–2006, Los Angeles Municipal Art Gallery, Los Angeles
Nerman Museum of Contemporary Art, Overland Park, Kansas
Seeing Things, Dorsky Gallery, University of Massachusetts, Amherst, Massachusetts
Viewfinder, Henry Art Gallery, Seattle
2006
City Limits: Shanghai – Los Angeles, University Art Museum, California State University, Long Beach
Inner go go, vamiali’s, Athens
A Curator’s Eye, Los Angeles County Museum of Art, Los Angeles
Los Ángeles / México: Complejidades y heterogeneidad, Colección Jumex, Mexico City
Me, Myself and I, Vancouver Art Gallery, Vancouver
Memory of Unknown Relatives, 1522 Gallery in collaboration with ACME., Venice, California
New Acquisitions, Moderna Museet, Stockholm
Paisajes fotográficos, entre la topografía y la abstracción, PHotoEspaña 2006, Madrid
Tracking and Tracing: Contemporary Art Acquisitions 2000–2005, San Diego Museum of Art, San Diego, California
Shifting Terrain, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
Whisper Not! A Different Dimension of Seeing, Huis Marseille / H+F Collection, Amsterdam
Inner go go, vamiali’s, Athens
A Curator’s Eye, Los Angeles County Museum of Art, Los Angeles
Los Ángeles / México: Complejidades y heterogeneidad, Colección Jumex, Mexico City
Me, Myself and I, Vancouver Art Gallery, Vancouver
Memory of Unknown Relatives, 1522 Gallery in collaboration with ACME., Venice, California
New Acquisitions, Moderna Museet, Stockholm
Paisajes fotográficos, entre la topografía y la abstracción, PHotoEspaña 2006, Madrid
Tracking and Tracing: Contemporary Art Acquisitions 2000–2005, San Diego Museum of Art, San Diego, California
Shifting Terrain, Herter Gallery, University of Massachusetts, Amherst, Massachusetts
Whisper Not! A Different Dimension of Seeing, Huis Marseille / H+F Collection, Amsterdam
2005
Back from Nature, Institute of Contemporary Art, Maine College of Art, Portland, Maine
Frontiers: Collecting the Art of our Time, Worcester Art Museum, Worcester, Massachusetts
New View, Gallery of Art, Carlsen Center, Johnson County Community College, Overland Park, Kansas
Out There: Landscape in the New Millennium, Museum of Contemporary Art, Cleveland
Southern Exposure, Museum of Contemporary Art San Diego (MCASD), San Diego and La Jolla, California
Das Verlorene Paradies: Die Landschaft in der zeitgenössischen Photographie, Stiftung Opelvillen, Rüsselsheim, Germany
Controlled, Tanya Bonakdar Gallery, New York City
Barbara Krakow Gallery, Boston
Beyond Delirious: Architecture in Selected Photographs from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation, Miami
Frontiers: Collecting the Art of our Time, Worcester Art Museum, Worcester, Massachusetts
New View, Gallery of Art, Carlsen Center, Johnson County Community College, Overland Park, Kansas
Out There: Landscape in the New Millennium, Museum of Contemporary Art, Cleveland
Southern Exposure, Museum of Contemporary Art San Diego (MCASD), San Diego and La Jolla, California
Das Verlorene Paradies: Die Landschaft in der zeitgenössischen Photographie, Stiftung Opelvillen, Rüsselsheim, Germany
Controlled, Tanya Bonakdar Gallery, New York City
Barbara Krakow Gallery, Boston
Beyond Delirious: Architecture in Selected Photographs from the Ella Fontanals Cisneros Collection, Cisneros Fontanals Art Foundation, Miami
2004
Atmosphere, Museum of Contemporary Art (MCA), Chicago
From House to Home: Picturing Domesticity, Museum of Contemporary Art (MoCA), Los Angeles
In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo
The World Becomes a Private World, Mills College Art Museum, Oakland
Pairings, Dallas Center for Contemporary Art, Dallas
Photography and Place: Contemporary Work from the Museum’s Collection, Rhode Island School of Design Museum, Providence
Barbara Krakow Gallery, Boston
Dranoff Fine Art, New York City
Winter Time, ACME., Los Angeles
Godt-Cleary Gallery, Las Vegas
Neue Editionen, Edition Schellmann, Munich
Double Exposure, Galerie Hafenrichter & Flügel, Nürnberg
Adam Baumgold Gallery, New York City
Landscape, Rena Bransten Gallery, San Francisco
From House to Home: Picturing Domesticity, Museum of Contemporary Art (MoCA), Los Angeles
In Focus: Themes in Photography, Albright-Knox Art Gallery, Buffalo
The World Becomes a Private World, Mills College Art Museum, Oakland
Pairings, Dallas Center for Contemporary Art, Dallas
Photography and Place: Contemporary Work from the Museum’s Collection, Rhode Island School of Design Museum, Providence
Barbara Krakow Gallery, Boston
Dranoff Fine Art, New York City
Winter Time, ACME., Los Angeles
Godt-Cleary Gallery, Las Vegas
Neue Editionen, Edition Schellmann, Munich
Double Exposure, Galerie Hafenrichter & Flügel, Nürnberg
Adam Baumgold Gallery, New York City
Landscape, Rena Bransten Gallery, San Francisco
2003
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Solomon R. Guggenheim Museum, New York; traveled to Guggenheim Museum, Bilbao
Public Record, The Museum of Contemporary Art, Los Angeles
Imagine: Selections from the Permanent Collection, Museum of Contemporary Art, (MoCA), North Miami
New Selections from the Permanent Collection, Orange County Museum of Art, Newport Beach
Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore; traveled to Palm Beach Institute of Contemporary Art, Lake Worth, Florida
ACME. @ Inman, Inman Gallery, Houston
Edition Speciale, Galerie Suzanne Tarasiève, Paris
Beside, ACME., Los Angeles
Public Record, The Museum of Contemporary Art, Los Angeles
Imagine: Selections from the Permanent Collection, Museum of Contemporary Art, (MoCA), North Miami
New Selections from the Permanent Collection, Orange County Museum of Art, Newport Beach
Imperfect Innocence: The Debra and Dennis Scholl Collection, Contemporary Museum, Baltimore; traveled to Palm Beach Institute of Contemporary Art, Lake Worth, Florida
ACME. @ Inman, Inman Gallery, Houston
Edition Speciale, Galerie Suzanne Tarasiève, Paris
Beside, ACME., Los Angeles
2002
History/Memory/Society: Displays from the Permanent Collection, Tate Modern, London
Visions of America: Photography from the Whitney Museum Collection, Whitney Museum of American Art, New York City
We Love Painting: Contemporary Art from the Misumi Collection, Museum of Contemporary Art, Tokyo
Looking at America, Yale University Art Gallery, New Haven
Global Address, Fisher Gallery, University of Southern California, Los Angeles
Majestic Sprawl: Some Los Angeles Photography, Pasadena Museum of California Art, Pasadena
Stepping Back, Moving Forward> Human Interaction in an Interactive Age, Pittsburgh Center for the Arts, Pittsburgh
Double Exposure, Edition Schellmann, Munich; traveled to: Edition Schellmann, New York; Barbara Krakow Gallery, Boston; Shearburn Gallery, St. Louis; Pulliam Deffenbaugh Gallery, Portland, Oregon; Traywick Contemporary, Berkeley; Galeria 2000 GbR, Nuremberg; Brigitte March, Stuttgart; Galerie Graff, Montreal; Inman Gallery, Houston; Godt-Cleary Projects, Las Vegas
Strolling Through an Ancient Shrine and Garden, ACME., Los Angeles
Visions of America: Photography from the Whitney Museum Collection, Whitney Museum of American Art, New York City
We Love Painting: Contemporary Art from the Misumi Collection, Museum of Contemporary Art, Tokyo
Looking at America, Yale University Art Gallery, New Haven
Global Address, Fisher Gallery, University of Southern California, Los Angeles
Majestic Sprawl: Some Los Angeles Photography, Pasadena Museum of California Art, Pasadena
Stepping Back, Moving Forward> Human Interaction in an Interactive Age, Pittsburgh Center for the Arts, Pittsburgh
Double Exposure, Edition Schellmann, Munich; traveled to: Edition Schellmann, New York; Barbara Krakow Gallery, Boston; Shearburn Gallery, St. Louis; Pulliam Deffenbaugh Gallery, Portland, Oregon; Traywick Contemporary, Berkeley; Galeria 2000 GbR, Nuremberg; Brigitte March, Stuttgart; Galerie Graff, Montreal; Inman Gallery, Houston; Godt-Cleary Projects, Las Vegas
Strolling Through an Ancient Shrine and Garden, ACME., Los Angeles
2001
From the Permanent Collection, Orange County Museum of Art, Newport Beach
00/01, James Harris Gallery, Seattle
The Dreams That Stuff Is Made Of: Selections Show, curated by David Pagel, Frankfurt Art Fair, Frankfurt
00/01, James Harris Gallery, Seattle
The Dreams That Stuff Is Made Of: Selections Show, curated by David Pagel, Frankfurt Art Fair, Frankfurt
2000
Open Ends: White Spectrum, The Museum of Modern Art, New York City
Departures: 11 Artists at the Getty, J. Paul Getty Museum, Los Angeles
Tate Modern: Ten Artists, Ten Images, Tate Modern, London
Insites: Interior Spaces in Contemporary Art, Whitney Museum of American Art at Champion, Champion, Connecticut
A Lasting Legacy, Orange County Museum of Art, Newport Beach
Photography Now: An International Survey of Contemporary Photography, Contemporary Arts Center, New Orleans
Beyond Boundaries: Contemporary Photography in California, The Friends of Photography/Ansel Adams Center for Photography, San Francisco; traveled in California to: University Art Museum, California State University, Long Beach; Santa Barbara Contemporary Arts Forum, Santa Barbara
Imperfektum, Museet for Samtidskunst, Oslo; traveled in Norway to: Rogaland Kunstmuseum, Stavanger; Trondheim Kunstmuseum, Trondheim; Fylkesgalerie, Namsos; Bomullsfabrikken, Arendal; Billedgalerie, Haugesund; Bodo Kunstforening, Bodo; Aalesunds Kunstforening, Aalesund
Muscle: Power of the View, Boulder Museum of Contemporary Art, Boulder, Colorado
Photography about Photography, Andrew Kreps, New York City
Manifesto!, Blue Gallery, London
ACME., Los Angeles
Bonakdar Jancou Gallery, New York City
Frame: Uta Barth, Duncan Higgins, Carter Potter, Site Gallery, Sheffield, England
Departures: 11 Artists at the Getty, J. Paul Getty Museum, Los Angeles
Tate Modern: Ten Artists, Ten Images, Tate Modern, London
Insites: Interior Spaces in Contemporary Art, Whitney Museum of American Art at Champion, Champion, Connecticut
A Lasting Legacy, Orange County Museum of Art, Newport Beach
Photography Now: An International Survey of Contemporary Photography, Contemporary Arts Center, New Orleans
Beyond Boundaries: Contemporary Photography in California, The Friends of Photography/Ansel Adams Center for Photography, San Francisco; traveled in California to: University Art Museum, California State University, Long Beach; Santa Barbara Contemporary Arts Forum, Santa Barbara
Imperfektum, Museet for Samtidskunst, Oslo; traveled in Norway to: Rogaland Kunstmuseum, Stavanger; Trondheim Kunstmuseum, Trondheim; Fylkesgalerie, Namsos; Bomullsfabrikken, Arendal; Billedgalerie, Haugesund; Bodo Kunstforening, Bodo; Aalesunds Kunstforening, Aalesund
Muscle: Power of the View, Boulder Museum of Contemporary Art, Boulder, Colorado
Photography about Photography, Andrew Kreps, New York City
Manifesto!, Blue Gallery, London
ACME., Los Angeles
Bonakdar Jancou Gallery, New York City
Frame: Uta Barth, Duncan Higgins, Carter Potter, Site Gallery, Sheffield, England
1999
Apposite Opposites, Museum of Contemporary Art (MCA), Chicago
Domesticated, Worcester Art Museum, Worcester, Massachusetts
Heads Up: Highlights from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
Photography: An Expanded View, Recent Acquisitions, Solomon R. Guggenheim Museum, New York City; traveled to Guggenheim Bilbao, Bilbao
Umeå kommuns konstinköp under 90–talet i urval, BildMuseet Umeå, Umeå, Sweden
double vision, Nexus Contemporary Art Center, Atlanta
The Stroke: An Overview of Contemporary Painting, curated by Nine Painters, Exit Art, New York City
Shift, ACME., Los Angeles
Rattling the Frame: The Photographic Space 1977–1999, Camerawork, San Francisco
Under/Exposed, Public Art Project, Stockholm
The 15th National Biennial Exhibition of the Los Angeles Printmaking Society, Laband Art Gallery, Loyola Marymount University, Los Angeles
Kerlin Gallery, Dublin
Threshold: Invoking the Domestic in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, Wisconsin; traveled to Contemporary Art Center of Virginia, Virginia Beach
Conceptual Art as a Neurobiologic Praxis and The Neuro-aesthetic Reading Room, Thread Waxing Space, New York City
Domesticated, Worcester Art Museum, Worcester, Massachusetts
Heads Up: Highlights from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
Photography: An Expanded View, Recent Acquisitions, Solomon R. Guggenheim Museum, New York City; traveled to Guggenheim Bilbao, Bilbao
Umeå kommuns konstinköp under 90–talet i urval, BildMuseet Umeå, Umeå, Sweden
double vision, Nexus Contemporary Art Center, Atlanta
The Stroke: An Overview of Contemporary Painting, curated by Nine Painters, Exit Art, New York City
Shift, ACME., Los Angeles
Rattling the Frame: The Photographic Space 1977–1999, Camerawork, San Francisco
Under/Exposed, Public Art Project, Stockholm
The 15th National Biennial Exhibition of the Los Angeles Printmaking Society, Laband Art Gallery, Loyola Marymount University, Los Angeles
Kerlin Gallery, Dublin
Threshold: Invoking the Domestic in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, Wisconsin; traveled to Contemporary Art Center of Virginia, Virginia Beach
Conceptual Art as a Neurobiologic Praxis and The Neuro-aesthetic Reading Room, Thread Waxing Space, New York City
1998
Abstract Painting, Once Removed, Contemporary Arts Museum (CAMH), Houston; traveled to: Kemper Museum of Contemporary Art, Kansas City, Missouri; Museum of Contemporary Art (MCA), Chicago; Albright-Knox Art Gallery, Buffalo
Directions: Photography from the Permanent Collection, Whitney Museum of American Art, New York City
Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore
New to Houston, Museum of Fine Arts, Houston
Photography’s Multiple Roles: Art, Documents, Market, Science, Museum of Contemporary Photography, Chicago
Selections from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
Claustrophobia, Ikon Gallery, Birmingham, England; traveled to: Middlesbrough Art Gallery, Middlesbrough, England; Harris Museum, Preston, England; Mapping Art Gallery, Sheffield, England; Cartwright Hall, Bradford, England; Esbjerg Kunstmuseum, Esbjerg, Denmark; Centre for Visual Arts, Cardiff, Wales
From the Heart: The Power of Photography (Sondra Gilman Collection), Art Museum of South Texas, Corpus Christi
Multiplicity, Vanderbilt University Fine Arts Gallery, Nashville
Photography at Princeton, Princeton University Art Museum, Princeton, New Jersey
Uta Barth, Nancy Chunn, Anthony Caro, Institute of Contemporary Art, Maine College of Art, Portland
(Not Pictured) The Presence of Absence, The Light Factory, Charlotte, North Carolina
New Editions, Brooke Alexander/Brooke Alexander Editions, New York City
Picture Show, Weinstein Gallery, Minneapolis
Precursor, Tanya Bonakdar Gallery, New York City
LA Cool, Rocket Gallery, London; traveled to Galerie Brüning + Zischke, Düsseldorf, Germany
Women Who Shoot, Newspace, Los Angeles
Spread, Rena Bransten Gallery, San Francisco
Preview, London Projects, London
Multiples, Elizabeth Leach Gallery, Portland, Oregon
Situacionismo, Galería OMR, Mexico City
Directions: Photography from the Permanent Collection, Whitney Museum of American Art, New York City
Mysterious Voyages: Exploring the Subject of Photography, Contemporary Museum, Baltimore
New to Houston, Museum of Fine Arts, Houston
Photography’s Multiple Roles: Art, Documents, Market, Science, Museum of Contemporary Photography, Chicago
Selections from the Permanent Collection, Museum of Contemporary Art (MoCA), North Miami
Claustrophobia, Ikon Gallery, Birmingham, England; traveled to: Middlesbrough Art Gallery, Middlesbrough, England; Harris Museum, Preston, England; Mapping Art Gallery, Sheffield, England; Cartwright Hall, Bradford, England; Esbjerg Kunstmuseum, Esbjerg, Denmark; Centre for Visual Arts, Cardiff, Wales
From the Heart: The Power of Photography (Sondra Gilman Collection), Art Museum of South Texas, Corpus Christi
Multiplicity, Vanderbilt University Fine Arts Gallery, Nashville
Photography at Princeton, Princeton University Art Museum, Princeton, New Jersey
Uta Barth, Nancy Chunn, Anthony Caro, Institute of Contemporary Art, Maine College of Art, Portland
(Not Pictured) The Presence of Absence, The Light Factory, Charlotte, North Carolina
New Editions, Brooke Alexander/Brooke Alexander Editions, New York City
Picture Show, Weinstein Gallery, Minneapolis
Precursor, Tanya Bonakdar Gallery, New York City
LA Cool, Rocket Gallery, London; traveled to Galerie Brüning + Zischke, Düsseldorf, Germany
Women Who Shoot, Newspace, Los Angeles
Spread, Rena Bransten Gallery, San Francisco
Preview, London Projects, London
Multiples, Elizabeth Leach Gallery, Portland, Oregon
Situacionismo, Galería OMR, Mexico City
1997
Blueprint, de Appel arts centre, Amsterdam
Defining Eye: Women Photographers of the Twentieth Century, St. Louis Art Museum, St. Louis; traveled to: Mead Art Museum, Amherst College, Amherst, Massachusetts; Wichita Art Museum, Wichita; UCLA Hammer Museum, Los Angeles; The National Museum of Women in the Arts, Washington, D. C.
Developing a Collection: The Ralph M. Parsons Foundation and the Art of Photography, Los Angeles County Museum of Art (LACMA), Los Angeles
Elusive Paradise: Los Angeles Art from the Permanent Collection, The Museum of Contemporary Art (MoCA), Los Angeles
Evidence: Photography and Site, Wexner Center for the Arts, Columbus; traveled to: Cranbrook Art Museum, Bloomfield Hills, Michigan; The Power Plant, Toronto; Miami Art Museum, Miami
Heart, Mind, Body, Soul: American Art in the 1990s, Whitney Museum of American Art, New York City
New Acquisitions: Works on Paper, Museum of Contemporary Art (MCA), Chicago
Object and Abstraction: Contemporary Photography, The Museum of Modern Art (MoMA), New York City
Painting into Photography/Photography into Painting, Museum of Contemporary Art (MoCA), North Miami
Scene of the Crime, Armand Hammer Museum of Art, Los Angeles
Spheres of Influence, The Museum of Contemporary Art, Los Angeles
Anthony Caro, Uta Barth & Nancy Chunn, Institute of Contemporary Art, Maine College of Art, Portland
Coda: Photographs by Uta Barth, Günther Forg, Jack Pierson, and Carolien Stikker, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Digital Ink: Uta Barth, Peter Halley, William Leavitt, James Welling, Center for Visual Communication, Coral Gables, Florida
Light Catchers, Bennington College Art Gallery, Bennington, Vermont
Passing the Tradition: California Photography, José Drudis-Biada Art Gallery, Mount St. Mary’s College, Los Angeles
Uta Barth, Jean Baudrillard, Luigi Gherri, Parco Gallery, Tokyo
Uta Barth, Rineke Dijkstra, Tracey Moffatt, Inez van Lamsweerde, Matthew Marks Gallery, New York City
Summer Show, Tanya Bonakdar Gallery, New York City
Twenty years…almost, Robert Miller Gallery, New York City
Making Pictures, Bernard Toale Gallery, Boston
Portraits of Interiors, Gallery Blancpain Stepczynski, Geneva
L. A. International Biennial: Portraits of Interiors, Patricia Faure Gallery, Santa Monica, California
Grands Maîtres du XXième, Galerie Vedovi, Brussels
ACME., Santa Monica, California
Pool, Rena Bransten Gallery, San Francisco
Defining Eye: Women Photographers of the Twentieth Century, St. Louis Art Museum, St. Louis; traveled to: Mead Art Museum, Amherst College, Amherst, Massachusetts; Wichita Art Museum, Wichita; UCLA Hammer Museum, Los Angeles; The National Museum of Women in the Arts, Washington, D. C.
Developing a Collection: The Ralph M. Parsons Foundation and the Art of Photography, Los Angeles County Museum of Art (LACMA), Los Angeles
Elusive Paradise: Los Angeles Art from the Permanent Collection, The Museum of Contemporary Art (MoCA), Los Angeles
Evidence: Photography and Site, Wexner Center for the Arts, Columbus; traveled to: Cranbrook Art Museum, Bloomfield Hills, Michigan; The Power Plant, Toronto; Miami Art Museum, Miami
Heart, Mind, Body, Soul: American Art in the 1990s, Whitney Museum of American Art, New York City
New Acquisitions: Works on Paper, Museum of Contemporary Art (MCA), Chicago
Object and Abstraction: Contemporary Photography, The Museum of Modern Art (MoMA), New York City
Painting into Photography/Photography into Painting, Museum of Contemporary Art (MoCA), North Miami
Scene of the Crime, Armand Hammer Museum of Art, Los Angeles
Spheres of Influence, The Museum of Contemporary Art, Los Angeles
Anthony Caro, Uta Barth & Nancy Chunn, Institute of Contemporary Art, Maine College of Art, Portland
Coda: Photographs by Uta Barth, Günther Forg, Jack Pierson, and Carolien Stikker, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Digital Ink: Uta Barth, Peter Halley, William Leavitt, James Welling, Center for Visual Communication, Coral Gables, Florida
Light Catchers, Bennington College Art Gallery, Bennington, Vermont
Passing the Tradition: California Photography, José Drudis-Biada Art Gallery, Mount St. Mary’s College, Los Angeles
Uta Barth, Jean Baudrillard, Luigi Gherri, Parco Gallery, Tokyo
Uta Barth, Rineke Dijkstra, Tracey Moffatt, Inez van Lamsweerde, Matthew Marks Gallery, New York City
Summer Show, Tanya Bonakdar Gallery, New York City
Twenty years…almost, Robert Miller Gallery, New York City
Making Pictures, Bernard Toale Gallery, Boston
Portraits of Interiors, Gallery Blancpain Stepczynski, Geneva
L. A. International Biennial: Portraits of Interiors, Patricia Faure Gallery, Santa Monica, California
Grands Maîtres du XXième, Galerie Vedovi, Brussels
ACME., Santa Monica, California
Pool, Rena Bransten Gallery, San Francisco
1996
Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, Museum of Contemporary Art (MoCA), North Miami
Just Past: The Contemporary in the Permanent Collection, 1975–96, The Museum of Contemporary Art (MoCA), Los Angeles
Light · Time · Focus, Museum of Contemporary Photography, Chicago
Painting: The Extended Field, Rooseum: Centre for Contemporary Art, Malmö
Summer Show, Tanya Bonakdar Gallery, New York City
Sweden; traveled to Magasin 3, Stockholm Konsthall, Stockholm
Absence, Guggenheim Gallery, Chapman University, Orange
Clarity, NIU Art Gallery, Northern Illinois University, Chicago
Making Pictures: Women and Photography, 1975 – Now, Nicole Klagsbrun, New York City
Portraits of Interiors, Studio la Città, Verona
silence, Lawing Gallery, Houston
ACME., Santa Monica, California
Extended Minimal, Max Protetch, New York City
Tanya Bonakdar Gallery, New York City
Blind Spot: The First Four Years, Paolo Baldacci Gallery, New York City
Nature Redux, Channing Peak Gallery, Santa Barbara Arts Commission, Santa Barbara; traveled to Harris Art Gallery, University of La Verne, La Verne, California
…e la chiamano pittura, Studio la Città, Verona
Wrestling with the Sublime: Contemporary German Art in Southern California, CSUF Main Art Gallery, California State University, Fullerton
Chalk, Factory Place Gallery, Los Angeles
Swag & Puddle, The Work Space, New York City
Just Past: The Contemporary in the Permanent Collection, 1975–96, The Museum of Contemporary Art (MoCA), Los Angeles
Light · Time · Focus, Museum of Contemporary Photography, Chicago
Painting: The Extended Field, Rooseum: Centre for Contemporary Art, Malmö
Summer Show, Tanya Bonakdar Gallery, New York City
Sweden; traveled to Magasin 3, Stockholm Konsthall, Stockholm
Absence, Guggenheim Gallery, Chapman University, Orange
Clarity, NIU Art Gallery, Northern Illinois University, Chicago
Making Pictures: Women and Photography, 1975 – Now, Nicole Klagsbrun, New York City
Portraits of Interiors, Studio la Città, Verona
silence, Lawing Gallery, Houston
ACME., Santa Monica, California
Extended Minimal, Max Protetch, New York City
Tanya Bonakdar Gallery, New York City
Blind Spot: The First Four Years, Paolo Baldacci Gallery, New York City
Nature Redux, Channing Peak Gallery, Santa Barbara Arts Commission, Santa Barbara; traveled to Harris Art Gallery, University of La Verne, La Verne, California
…e la chiamano pittura, Studio la Città, Verona
Wrestling with the Sublime: Contemporary German Art in Southern California, CSUF Main Art Gallery, California State University, Fullerton
Chalk, Factory Place Gallery, Los Angeles
Swag & Puddle, The Work Space, New York City
1995
Human / Nature, The New Museum of Contemporary Art, New York City
New Photography 11, The Museum of Modern Art (MoMA), New York City
P.L.A.N., Los Angeles County Museum of Art (LACMA), Los Angeles
Contemporary Photography from the Permanent Collection, Princeton Art Museum, Princeton, New Jersey
Content and Discontent, Bruce Museum of Arts and Science, Greenwich; traveled to: University Gallery, Moscow, Idaho; Lowe Art Museum, University of Miami, Coral Gables, Florida
ACME., Santa Monica, California
Contemporary Collections – Autumn 95, Los Angeles Center for Photographic Studies, Los Angeles
Between Breath and Air: Uta Barth, Karin Davie, Shirley Irons, Patrick Callary Gallery, New York City
Contemporary Collections – Spring 95, Los Angeles Center for Photographic Studies, Los Angeles
From Here to There: Tactility and Distraction, California Medical Arts, Santa Monica, California
Sitting Pretty, Los Angeles Contemporary Exhibitions, Los Angeles
Neotoma, Otis Art Gallery, Los Angeles
ACME., Santa Monica, California
Presence: Recent Portraits, Angles Gallery, Santa Monica, California
Rena Bransten Gallery, San Francisco
New Photography 11, The Museum of Modern Art (MoMA), New York City
P.L.A.N., Los Angeles County Museum of Art (LACMA), Los Angeles
Contemporary Photography from the Permanent Collection, Princeton Art Museum, Princeton, New Jersey
Content and Discontent, Bruce Museum of Arts and Science, Greenwich; traveled to: University Gallery, Moscow, Idaho; Lowe Art Museum, University of Miami, Coral Gables, Florida
ACME., Santa Monica, California
Contemporary Collections – Autumn 95, Los Angeles Center for Photographic Studies, Los Angeles
Between Breath and Air: Uta Barth, Karin Davie, Shirley Irons, Patrick Callary Gallery, New York City
Contemporary Collections – Spring 95, Los Angeles Center for Photographic Studies, Los Angeles
From Here to There: Tactility and Distraction, California Medical Arts, Santa Monica, California
Sitting Pretty, Los Angeles Contemporary Exhibitions, Los Angeles
Neotoma, Otis Art Gallery, Los Angeles
ACME., Santa Monica, California
Presence: Recent Portraits, Angles Gallery, Santa Monica, California
Rena Bransten Gallery, San Francisco
1994
The Abstract Urge, The Friends of Photography/Ansel Adams Center for Photography, San Francisco
Breda Fotografica ‘94, De Beyerd, Center of Contemporary Art, Breda, The Netherlands
Love in the Ruins, Long Beach Museum of Art, Long Beach
New Acquisitions, Los Angeles County Museum of Art (LACMA), Los Angeles
Flow, Cerritos College Art Gallery, Cerritos, California
Diverse Perspectives, San Bernardino County Museum of Art, Redlands, California
Diderot and the Last Luminaire, Waiting for the Enlightenment (A Revised Encyclopedia) or The Private Life of Objects, Southern Exposure at Project Artaud, San Francisco; traveled to SITE, Los Angeles
ACME., Santa Monica, California
The World of Tomorrow, Tom Solomon’s Garage, Los Angeles
Issues of Image, Haines Gallery, San Francisco
Transtextualism, Mark Moore Gallery, Santa Monica, California
Gallery 954, Chicago
Jayne Baum Gallery, New York City
Breda Fotografica ‘94, De Beyerd, Center of Contemporary Art, Breda, The Netherlands
Love in the Ruins, Long Beach Museum of Art, Long Beach
New Acquisitions, Los Angeles County Museum of Art (LACMA), Los Angeles
Flow, Cerritos College Art Gallery, Cerritos, California
Diverse Perspectives, San Bernardino County Museum of Art, Redlands, California
Diderot and the Last Luminaire, Waiting for the Enlightenment (A Revised Encyclopedia) or The Private Life of Objects, Southern Exposure at Project Artaud, San Francisco; traveled to SITE, Los Angeles
ACME., Santa Monica, California
The World of Tomorrow, Tom Solomon’s Garage, Los Angeles
Issues of Image, Haines Gallery, San Francisco
Transtextualism, Mark Moore Gallery, Santa Monica, California
Gallery 954, Chicago
Jayne Baum Gallery, New York City
1993
Index in French, California Museum of Photography (CMP), University of California, Riverside
A Carafe, That Is a Blind Glass…, Weingart Gallery, Los Angeles
P.O.P – A Trilogy, Susan Landau Gallery/1529 Wellesley, Los Angeles
Project Box, domestic setting, Los Angeles
From Without, The Portfolio, Los Angeles
A Carafe, That Is a Blind Glass…, Weingart Gallery, Los Angeles
P.O.P – A Trilogy, Susan Landau Gallery/1529 Wellesley, Los Angeles
Project Box, domestic setting, Los Angeles
From Without, The Portfolio, Los Angeles
1992
Voyeurism, Jayne Baum Gallery, New York City
Abstraction in the ‘90s, Jan Kesner Gallery, Los Angeles
FAR Bazzar, Foundation for Art Resources (FAR), Los Angeles
Jayne Baum Gallery, New York City
Abstraction in the ‘90s, Jan Kesner Gallery, Los Angeles
FAR Bazzar, Foundation for Art Resources (FAR), Los Angeles
Jayne Baum Gallery, New York City
1991
L. A. Times: Eleven Los Angeles Artists, Boise Art Museum, Boise; traveled to Western Gallery, Western Washington University, Bellingham, Washington
1990
Spirit of Our Time, Contemporary Arts Forum, Santa Barbara
The Conceptual Impulse, Security Pacific Gallery, Costa Mesa, California
The Conceptual Impulse, Security Pacific Gallery, Costa Mesa, California
1989
Deliberate Investigations: Recent Works by Four Los Angeles Artists, Los Angeles County Museum of Art (LACMA), Los Angeles
Inland Empire Artist Exhibition, San Bernardino County Museum of Art, Redlands, California
The Narrative Frame, Rio Hondo College Art Gallery, Whittier, California
University Art Gallery, University of California, Riverside
Uta Barth, Jeff Beall, Paul Boettcher, Eric Magnuson, Roy Boyd Gallery, Santa Monica, California
Thick and Thin: Photographically Inspired Painting, Fahey/Klein Gallery, Los Angeles
Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles
Logical Conclusions, Jan Kesner Gallery, Los Angeles
Inland Empire Artist Exhibition, San Bernardino County Museum of Art, Redlands, California
The Narrative Frame, Rio Hondo College Art Gallery, Whittier, California
University Art Gallery, University of California, Riverside
Uta Barth, Jeff Beall, Paul Boettcher, Eric Magnuson, Roy Boyd Gallery, Santa Monica, California
Thick and Thin: Photographically Inspired Painting, Fahey/Klein Gallery, Los Angeles
Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles
Logical Conclusions, Jan Kesner Gallery, Los Angeles
1987
LAICA Artist Exhibition, Los Angeles Institute of Contemporary Art (LAICA), Beverly Hills
The Flower Show, Theatre Art Gallery, Design Center, Los Angeles
The Flower Show, Theatre Art Gallery, Design Center, Los Angeles
1986
Proof and Perjury, Los Angeles Institute of Contemporary Art (LAICA), Los Angeles
1985
Emerging Artists, Frederick S. Wight Gallery, University of California, Los Angeles
1984
Werkstadt für Photographie, Berlin
Photography, Large Scale New Work, Rex W. Wignal Museum Gallery, Alta Loma, California
Photography, Large Scale New Work, Rex W. Wignal Museum Gallery, Alta Loma, California
1982
56th Annual Crocker-Kingsley Exhibition, E. B. Crocker Art Museum, Sacramento
Five Photographers, Joseph Dee Museum of Photography, San Francisco
Five Photographers, Joseph Dee Museum of Photography, San Francisco