Jody Zellen, “Uta Barth: 1301PE,” Artillery (September 10, 2024) web

Kathryn Scanlan, “Uta Barth,” Art Forum (May 2023) web
Loring Knoblauch, “Uta Barth @ Tanya Bonakdar,” Collector Daily (April 18, 2023) web
Jennifer Tobias, “Uta Barth’s Impressive …from dawn to dusk Studies the Grid of the Getty Center,” The Architect’s Newspaper (April 5, 2023) web
Jessica Holmes, “Uta Barth,” The Brooklyn Rail (April 2023) web
Johanna Fateman, “Goings on About Town: Uta Barth,” The New Yorker (March 2023) web
Wenjie (Demi) Zhao, “Exhibition Review: Uta Barth,” Musée Magazine (March 14, 2023) web
Marcus Bunyan, “Exhibition: ‘Uta Barth: Peripheral Vision’ at the J. Paul Getty Museum, Los Angeles,” Art Blart (February 17, 2023) web
Arthur Lubow, “How Uta Barth’s Art Illuminates,” The New York Times (February 9, 2023) web
Christopher Knight, “Review: Uta Barth’s Fuzzy Photographs Come Into Stirring Focus in a Major Getty Show,” Los Angeles Times (February 7, 2023) web
Kate Palmer Albers, “What Uta Barth’s Images Tell Us About the Limits of Sight,” Aperture (February 3, 2023) web
Jessica Simmons-Reid, “Uta Barth at the Getty,” Contemporary Art Review Los Angeles (February 2, 2023) web
Renée Reizman, “Uta Barth Chases Light at the Getty Center,” Hyperallergic (January 30, 2023) web
Jody Zellen, “Uta Barth: ‘Peripheral Vision’, Perception and the Act of Looking,” ArtnowLA (January 19, 2023) web
Jill Spalding, “Uta Barth: Peripheral Vision,” Studio International (January 9, 2023) web
“Getty Exhibition Examines 40-Year Career of Artist Uta Barth,” Artdaily (January 8, 2023) web
Catherine Wagley, “A Career-Spanning Survey of Uta Barth’s Rigorous, Seductive Photographs,” Photograph (January 3, 2023) web

Leah Ollman, “For Artist Uta Barth, Learning to Photograph is a Way of Learning to See,” Los Angeles Times (December 29, 2022) web
“The J. Paul Getty Museum: Uta Barth: Peripheral Vision,” L’Œil de la Photographie (December 21, 2022) web
William Poundstone, “Uta Barth Takes on Richard Meier’s Light,” Lacma on Fire (November 21, 2022) web
Gabrielle Keung, “Exhibition Review: Uta Barth,” Musée Magazine (November 16, 2022) web
Tiana Molony, “Uta Barth | ‘Peripheral Vision’ at the Getty Center,” Flaunt Magazine (October 26, 2022) web
David S. Rubin, “Uta Barth at Tanya Bonakdar Gallery and 1301PE,” Art and Cake (July 6, 2022) web
Shelia Pippin, “Uta Barth | Premieres Joint Exhibition ‘Figure/Ground, Figure/Ground,” Flaunt (June 2, 2022) web

Thierry Grillet, “Uta Barth – In The Light and Shadow of Morandi,” The Gaze of a Parisienne (July 19, 2021) web

Arpad Kovacs, “Is the Still Life the Form of the Moment?,” Aperture (May 19, 2020) web

Eva Recinos, “15 Female Artists Who’ve Shaped the L.A. Art Scene,” LA Weekly (April 4, 2017)
Hunter Drohojowska-Philp, “Uta Barth at 1301PE,” KCRW Art Talk, kcrw.com (March 23, 2017)
Ezrha Jean Black, “Pick of the Week: Uta Barth,” artillerymag.com (March 23, 2017)
Martin Herbert, “Ten Shows to See,” ArtReview.com (March 2017)
Catherine Wagley, “Five Art Shows to See in L.A. This Week,” LA Weekly (March 22, 2017)
“Uta Barth: In the Light and Shadow of Morandi,” culturadar.com (March 7, 2017)
“Uta Barth’s Projects at Tanya Bonakdar Gallery, New York,” blouinartinfo.com (February 28, 2017)
Martha Schwendener, “What to See in New York Art Galleries This Week,” The New York Times (February 23, 2017)
Robbie O’Halloran, “200 words: Uta Barth,” theglazelondon.com (February 26, 2017)
“Uta Barth at Tanya Bonakdar Gallery,” juxtapoz.com (February 22, 2017)
“The top five New York art shows this week,” timeout.com/newyork (February 21, 2017)
“Time Out Loves..,” Time Out New York (February 21, 2017)
“Tanya Bonakdar Gallery presents two distinct yet related projects by Uta Barth,” artdaily.org (February 15, 2017)
“10 Art Events to Attend in New York City This Week,” artnews.com (February 6, 2017)

Uta Barth, “luz / light,” EXIT 58, MINIMO / MINIMUM [Madrid], ed. Rosa Olivares (May–July 2015)

Catherine Corman, “New Wave Women: Paris Photo Los Angeles,” HUFFPOST Arts & Culture (October 9, 2014)
John Haber, “Private Visions – ‘A World of Its Own: Photographic Practices in the Studio,’” The New York Photo Review
Georgia Francis King, “The Meaning of Light,” KINFOLK (Winter Issue, 2014)
Alanna Martinez, “5 Artists to Watch at Paris Photo LA’s Solo Booths,” blouinartinfo.com (April 25, 2014)
Ricardo Mor, “Fort Lauderdale Girls’ Club show explores the forces that shape perception,” Miami Herald (July 10, 2014)
Jeffrey Saddoris, “Sublimely Mundane: Uta Barth,” fadedandblurred.com (October 4, 2013)
Roberta Smith, “When a Form is Given its Room to Play – ‘A World of its Own’, Examining Photography at MoMA,” The New York Times (February 6, 2014)
“Uta Barth,” Union-Mag.com (November 30, 2014)

Stacy Dacheux, “Uta Barth’s Photographs Quote the Lightness in Her Own Life,” beautifuldecay.com (October 4, 2013)
Nicholas Grider, Public Display #2, PublicAccessJournal.wordpress.com
“Artsy Asks Gregory Crewdson, Uta Barth, and Yuki Onodera All About the Window,” artsy.net (September 30, 2013) web
“Stockholm: Uta Barth – la transformation invisible,” Le Journal de la Photographie (March 1, 2013)

Jackie Adams, “The Genius Series: MacArthur Winner Uta Barth,” Los Angeles Magazine (December 10, 2012)
Christina Anglada, “Uta Barth en Elvira González,” Nosotros [Madrid] (June 11, 2012)
Darren Campion, “Uta Barth: The Density of Light,” [The Incoherent Light] Perspectives on Photography (December 10, 2012) web pdf
Laura Caso, “Uta Barth – La fotografia es dibujar con lineas de luz,” El Mundo [Madrid] (May 29, 2012)
Rafael de las Cuevas, “Una raya brillante de luz,” Descubrir El Arte [Madrid] (May 22, 2012)
Ian Farr, ed., MEMORY (Whitechapel: Documents of Contemporary Art), London: The MIT Press, 2012 pdf
Julia Halperin, “Photographers Uta Barth and An-My Lê Score MacArthur Genius Grants,” blouinartinfo.com (October 2, 2012)
Bettye Miller, “Art Professor Wins MacArthur Fellowship,” ucrtoday.ucr.edu (October 1, 2012) pdf
Julio Municio, “Uta Barth en la Galería Elvira González,” whyonwhite.blogspot.com [Madrid] (June 26, 2012)
David Ng, “MacArthur 2012 Fellows Include Uta Barth, Chris Thile,” latimes.com (October 1, 2012)
Javier Panizo, “Uta Barth – Luz al final del tunnel,” blogearte.com [Madrid] (June 22, 2012)
Amalia Rubi, “Luces y sombras de Uta Barth en la Galería Elvira González,” infoenpunto.com [Madrid] (May 6, 2012)
Sara Torres Sifon, “La fotografia de Uta Barth en la Galería Elvira González,” plataformadeartecontemporaneo.com [Madrid] (May 21, 2012)
Elena Vozmediano, “Uta Barth, los Caminos del sol,” elcultural.es [Madrid] (June 22, 2012)
James Yood, “Reviews: Uta Barth,” Aperture 206 (Spring 2012)
Siona Wilson, “Uta Barth,” artreview.com (February 28, 2012)
Jonathan Blaustein, “This Week in Photography Books – Uta Barth,” aphotoeditor.com (July 20, 2012)

Alexander Adler, “What’s going on? Chelsea Round Up,” huffingtonpost.com (November 16, 2011)
“The Art Institute of Chicago Presents Work by Los Angeles-Based Artist Uta Barth,” chicago.localme.me (May 15, 2011)
Janet Arvia, “The Art Institute debuts new photographs from Uta Barth,” examiner.com/chicago (May 4, 2011)
“Uta Barth,” arttattler.com (2011)
“Uta Barth,” artweek.la (September 14, 2011)
“Uta Barth,” Escape Into Life Digest 42 (October 2, 2011)
“Uta Barth @ Bonakdar,” DLK Collection (November 9, 2011) web pdf
“Uta Barth at 1301PE Gallery,” NY Arts Magazine (Autumn 2011)
Bill Bush, “The Haze of Memory,” artweek.la (September 19–26, 2011), huffingtonpost.com (September 19, 2011)
Amy Cavanaugh, “Uta Barth Exhibit,” cbschicago.com (June 6, 2011)
“Chicago Uta Barth,” lalettredelaphotographie.com (June 1, 2011)
Blake Gopnik, “Subtlety, Squared,” thedailybeast.com (November 5, 2011)
“Happenings: Uta Barth Exhibition at Tanya Bonakdar Gallery,” blog.conveyormagazine.org (November 29, 2011)
Megan Hoetger, “Don’t Miss – New York: Uta Barth at Tanya Bonakdar Gallery through December 22, 2011,” artobserved.com [AO Art Observed] (December 18, 2011)
Claudine Ise, “Uta Barth,” artforum.com (June 21, 2011)
Laurie K, “Uta Barth and More at The Henry Art Gallery,” culturemob.com [Seattle] (January 27, 2011)
Merrily Kerr, “Review: Uta Barth,” timeout.com/newyork (November 29, 2011)
Morgan McCarty, “A ribbon runs through Barth’s exploration of photography,” The Chicago Maroon (May 24, 2011)
Brian Miller, “Uta Barth,” The Seattle Weekly (April 15, 2011)
“New This Month in U.S. Museums,” artnet.com (May 1, 2011)
Laura Pearson, “Uta Barth at the Art Institute of Chicago,” timeout.com/chicago (May 25, 2011)
Susan Snodgrass, “Uta Barth,” Art in America 99, no. 10 (November 2011)
Tema Stauffer, “Art Watch Weekly,” Mana Fine Arts (December 7, 2011)
Kyle T. Webster, “Uta Barth,” “Goings on About Town,” The New Yorker (December 5, 2011)
Michael Weinstein, “Review – Uta Barth/Art Institute of Chicago,” art.newcity.com [New City Art] (May 30, 2011)
Erik Wenzel, “The Curtains of Perception,” artslant.com (July 11, 2011)
Monica Westin, “Uta Barth,” flavorpill.com/chicago (May 14, 2011)
Natacha Wolinski, “Traces de Presences,” Air France Magazine (October 2011)

“artnet News – Still More Summer Shows in New York,” artnet.com (July 1, 2010)
“Checking in with John Casteen, Poet, Teacher,” C-Ville Charlottesville News & Arts 22, no. 43 (October 26–November 1, 2010)
Joshua Cohen, “Camera Obscura: Novelist Tao Lin projects his life as a series of boredom-filled blog posts,” Bookforum 17, no. 3 (September–November 2010)
“Exceptional Work by Uta Barth at Tanya Bonakdar Gallery,” All Art News (May 10, 2010)
Mat Gleason, “The Ten Most Underrated Los Angeles Art World Stars,” huffingtonpost.com (August 17, 2010); coagula.com (October 17, 2010)
Edward Goldman, “Making the Most of It…,” KCRW Art Talk, kcrw.com (May 18, 2010)
Edward Goldman, “The Best and Worst of 2010,” huffingtonpost.com (December 30, 2010)
John Haber, “Pedestrian Crossings,” haberarts.com (June 13, 2010)
Howard Halle, “Critics Picks: Best in Photography: Uta Barth,” timeout.com/newyork (May 6–12, 2010)
Tim Kane, “Invisible at Mass MoCA,” Albany Times Union (June 3, 2010)
Lyra Kilston, “Uta Barth: Seeing is Forgetting the Name of the Thing One Sees,” artreview.com (July 15, 2010)
Aislinn Leggett, “Uta Barth,” SlightlyLucid.com (March 24, 2010)
J. Lindblad, “Go See – Stockholm: ‘Thrice Upon a Time’ at Magazine 3 Konsthall,” artobserved.com (September 16, 2010)
Audrey Mandelbaum, “Uta Barth…to walk without destination and see only to see,” X-TRA 13, no. 2 (Winter 2010) pdf
Cate McQuaid, “Echoing Ellsworth Kelly in Electrifying Fashion,” The Boston Globe (November 28, 2010)
Håkan Nilsson, “Anonymous motifs come close,” Svenska Dagbladet [Stockholm] (December 3, 2010)
Anders Olofsson, “Uta Barth at Andréhn-Schiptjenko,” konsten.net [Stockholm] (November 22, 2010)
Carlos Suarez De Jesus, “From Ed Ruscha to Man Ray,” Miami New Times (December 21, 2010)
“Uta Barth,” The New Yorker (May 31, 2010)
“Uta Barth: …to walk without destination and to see only to see @ Tanya Bonakdar,” DLK Collection (May 20, 2010)
“Uta Barth at Andréhn-Schiptjenko Gallery, Stockholm,” Mousse Magazine [Milan] (December 22, 2010)
Katia Zavistovski, “Come Curious: The Artists Look,” blog.art21.org (September 15, 2010)
Katia Zavistovski, “Come Curious,” blog.art21.org (June 7, 2010)
Carol McCusker, “An Eruption of Color,” Color Magazine 2 (July 2010)
Lanee Neil, “The Lens of L.A.: From Motion to Stillness,” Fabrik Magazine 6 (Summer 2010)

“Twenty Top Shows,” artnet.com (November 3, 2009)

“artnet News – Art Benefits for Obama,” artnet.com (September 30, 2008)
“artnet News – New Museum for Kansas,” artnet.com (January 17, 2008)
Brian Dillon, “Uta Barth: Sundial, In Praise of Indifference,” Portfolio 48 (December 2008)
Morgan Falconer, “Uta Barth,” Frieze 113 (March 2008)
Adrian Grant, “Blur,” Seattle Weekly (April 30, 2008)
Camilla Hammarström, “An Eye For Light,” Aftonbladet [Stockholm] (June 15, 2008)
A. Mead, “Critic’s Choice,” Architects’ Journal (June 12, 2008)
Holly Myers, “Uta Barth: Domestic Bliss,” ArtReview 23 (June 2008) pdf
Håkan Nilsson, “A Sideways Perspective,” DN [Stockholm] (May 24, 2008)
Anders Olofsson, “Andréhn-Schiptjenko, Stockholm: Uta Barth,” konsten.net [Stockholm] (May 21, 2008)
Kristen Peterson, “What’s Private, in Public,” Las Vegas Sun (May 25, 2008)
Cherry Smyth, “Uta Barth: Alison Jacques Gallery,” Modern Painters 20, no. 7 (September 2008)
Lina Wennersten, “The Art of Seeing,” City [Stockholm] (May 23, 2008)

Vince Aletti, “Uta Barth,” “Goings on About Town,” The New Yorker (November 12, 2007)
“Architectural Photography,” Arkitektur DK (August 2007)
Uta Barth, “Learning How to Look,” Exit 26, Through the Window [Madrid], ed. Rosa Olivares (May–July 2007)
Barbara Bestor, “The Big Fix: Hand over the Mini-Malls,” Los Angeles Times (December 26, 2007)
Hunter Drohojowska-Philp, “Pussy Power,” artnet.com (March 23, 2007)
Jeremy Melvin, “Architecture and Photography: A Work in Progress,” Blueprint 251 (February 2007)
Holly Myers, “Dynamically Capturing the Feminist Spirit,” Los Angeles Times (March 13, 2007)
Christian Nelson, “Looking vs. Seeing,” The Daily [Seattle] (August 1, 2007)
Karen Rosenberg, “Sundial: Uta Barth,” The New York Times (November 9, 2007) pdf

“artnet News – New Gallery in Venice,” artnet.com (January 17, 2006)
Mark Bolland, “Subject-less Photography,” Source 47 (Summer 2006) pdf
Lisa Bosse, “Uta Barth,” Contemporary 84 (Autumn 2006) pdf
“Calendar – Museums and Galleries,” The New York Times (July 16, 2006)
Vittoria Di Palma, “Blurs, Blots, and Clouds: Architecture and the Dissolution of the Surface,” AA Files: Journal of the Architectural Association School of Architecture [London] 54 (Summer 2006) pdf
Irene Gerogianni, “Inner Go Go at vamiali’s: Athens Critics’ Picks,” artforum.com (May 24, 2006)
Adam Minte, “On Sofas and Sublimity,” The Rake [Minneapolis] (September 25, 2006) pdf
Chuck Mobley, “Everyone Here is from Somewhere Else,” Camerawork 33, no. 2 (Autumn–Winter 2006)
Liz Wells, “Writing with Light,” Daylight & Architecture [Velux Group] 4 (Autumn 2006) pdf

Vince Aletti, “Uta Barth,” “Goings on About Town,” The New Yorker (May 23, 2005)
Vince Aletti, “Voice Choices: Photo,” The Village Voice (May 18–24, 2005)
Sophie Allgårdh, “Alla anspelningar skymmer insikten,” Svenska Dagbladet [Stockholm] (September 17, 2005)
R. C. Baker, “Voice Choices: Uta Barth,” The Village Voice (March 2–8, 2005)
Sanna Bjorling, “konstgant,” Dagens Nyheter [Stockholm] (August 26, 2005)
Clayton Campbell, “Uta Barth at Acme,” Flash Art (July–September 2005) pdf
Jon Carver, “Critical Reflections,” The Magazine (April 2005)
Bruno Chalifour, “What Pictures Look Like,” book review of Uta Barth, Afterimage 32, no. 6 (May 1, 2005) pdf
Tom Collins, “SITE Santa Fe Revisits the Theme of What We See and How We See It,” Albuquerque Journal (March 18, 2005)
Marcelle Fischler, “Long Island Journal; Celebrating Art and Wine in Cutchogue,” The New York Times (July 17, 2005)
Garret KeKizer, “Life Everlasting,” Harper’s Magazine (February 2005)
“Konstgång,” Dagens Nyheter På Stan [Stockholm] (August 26, 2005)
Bruno LeMieux-Ruibal, “Uta Barth,” Lápiz 214 (June 2005) pdf
Nell McClister, “Uta Barth at Tanya Bonakdar,” Artforum 44, no. 1 (September 2005) pdf
Sharon Mizota, “Reality in Abstract,” San Francisco Weekly (June 29, 2005)
Holly Myers, “Formica never looked so intimate,” Los Angeles Times (May 20, 2005) pdf
Håkan Nilsson, “Kritikerns val,” Dagens Nyheter [Stockholm] (September 10, 2005)
Håkan Nilsson, “Lekfulla optiska villor,” Dagens Nyheter [Stockholm] (September 17, 2005)
Anders Olofsson, “Gå och se,” konsten.net [Stockholm] (September 13, 2005)
Anders Olofsson, “Samtal med Uta Barth,” konsten.net [Stockholm] (September 9, 2005)
Ilana Swerdlin, “In Focus: Themes in Photography,” Afterimage 32, no. 4 (January–February 2005)
“Und ewig lockt die Kunst in Düsseldorf,” Handelsblatt-Kunstmarkt 185 (September 23–25, 2005)

Uta Barth, “Findings,” Harper’s Magazine (April 2004)
Chas Bowie, “Double Exposure,” The Portland Mercury [Portland, Oregon] (June 30, 2004)
Ruth Keffer, “The Subject is Architecture,” arcCA 4.3 (October 2004)

Peder Alton, Dagens Nyheter På Stan [Stockholm] (June 6, 2003)
Micaela Martegani, “Uta Barth: Tanya Bonakdar Gallery,” Tema Celeste (January–February 2003) pdf
Håkan Nilsson, Dagens Nyheter [Stockholm] (May 31, 2003)
Anders Olofsson, “Andréhn-Schiptjenko, Stockholm: Uta Barth (8/5–7/6),” konsten.net [Stockholm] (2003)
P. C. Smith, “Uta Barth at Tanya Bonakdar,” Art in America 91, no. 3 (March 2003) pdf
Jody Zellen, “Uta Barth at ACME.,” Art Papers 27, no. 1 (January–February 2003)
Jane Rendell, “Where the Thinking Stops, Time Crystallises …,” Urban Futures: Critical Commentaries on Shaping the City, Malcolm Miles and Tim Hall, eds. London: Routledge, 2003

Vince Aletti, “Voice Choices: Photo,” The Village Voice (November 6–12, 2002)
“Art Guide,” The New York Times (August 16, 2002)
Sarah Boxer, “If a Medium Loses Its Message, Is It Still a Medium?” The New York Times (August 9, 2002)
Johana Burton, “Uta Barth,” timeout.com/newyork (November 7–14, 2002) pdf
Clifford Elgin, “Uta Barth, Gerhard Richter, and the Influence of Photography on Painting,” thoughtsonart.com (June 2002)
Inga Kiderra, “Home Is Where the Art Is,” news.usc.edu (February 25, 2002)
Victoria Martin, “‘Global Address’ at USC Fisher Gallery,” Artweek 22, no. 3 (April 2002)
Holly Myers, “Loaded Questions amid the Treetops,” Los Angeles Times (October 25, 2002) pdf
David Pagel, “Some Things Old, Some Things New,” Los Angeles Times (May 10, 2002)
Eric Steinman, “Think Globally, Art Locally,” Los Angeles Downtown News 31, no. 11 (March 18, 2002)

Jill Conner, “Blurring the Boundaries,” Afterimage 28, no. 5 (March–April 2001)
Joan Crowder, “Photographic Exhibition Covers a Wide Variety of Styles,” Santa Barbara News-Press (December 5, 2001)
Bill Davenport, “Tire Iron 12: Uta Barth,” Glasstire (May 2, 2001) web
Patricia C. Johnson, “Uta Barth Focuses on Changing Perceptions,” Houston Chronicle (May 12, 2001) pdf
Kelly Klaasmeyer, “Blurring the Lines,” Houston Press Weekly (June 14, 2001)
Elena Kornbluth, “Triple Exposure, Three Photographers in Focus: Sam Taylor-Wood, Uta Barth, Jessica Craig-Martin,” Elle Decor 81 (February–March 2001) pdf
Katy Siegel, “Uta Barth: In Between Places,” artforum.com (April 2001)

Vince Aletti, “Photography about Photography,” The Village Voice (February 29, 2000)
Dore Bowen, “Rattle & Roll: Rattling the Frame, The Photographic Space 1974–1999,” Afterimage 27, no. 5 (March 2000)
Catherine Dorsey, “There’s No Place Like Home,” Port Folio Weekly [Hampton Roads, Virginia] (October 24, 2000)
Emily Hall, “Seeing Straight: The Encompassing Worlds of Uta Barth,” The Stranger [Seattle] (November 23, 2000)
Doug Harvey, “Mounds: Monumental Edibles at the Getty Contemporary,” L.A. Weekly (March 10–16, 2000)
Christopher Knight, “Fuzzy Images, Focused Ideas,” Los Angeles Times (December 29, 2000) pdf
Charles LaBelle, “Uta Barth at ACME.,” Artext 68 (February–April 2000) pdf
David Littlejohn, “The Gallery: Hilltop Invitational,” The Wall Street Journal (April 24, 2000)
Thomas McGovern, “Uta Barth at ACME.,” Artweek 31, no. 1 (January 2000) pdf
David Pagel, “Fresh Riffs on a Theme,” Los Angeles Times (March 1, 2000)
Katy Siegel, “Uta Barth: In Between Places at Henry Art Gallery,” Artforum 39, no. 1 (September 2000)
Mark St. John Erickson, “Exhibit that Gets You Where You Live,” Daily Press [Hampton Roads, Virginia] (October 15, 2000)
Margaret Sundell, “Uta Barth at Bonakdar Jancou,” Artforum 38, no. 5 (January 2000) pdf
Alice Thorson, “The World Outside Her Windows,” The Kansas City Star (July 2, 2000) pdf
Robin Updike, “Uta Barth Photos Offer New Angle on the World,” The Seattle Times (November 9, 2000) pdf
Lawrence Van Gelder, “Footlights,” The New York Times (February 29, 2000)
“Voice Choices,” The Village Voice (November 6–12, 2000)

Vince Aletti, “Voice Choice,” The Village Voice (November 23, 1999)
Sarah Boxer, “The Guggenheim Sounds Alarm: It Ain’t Necessarily So,” The New York Times (March 19, 1999)
Bonnie Clearwater, “Sleight of Hand: Photography in the 1990s,” Art Papers (September–October 1999)
Roy Exley, “New Abstract Photography, Towards Abstraction: The Painterly Photograph,” Creative Camera 358 (June–July 1999)
Regina Hackett, “Out-of-Focus Photography Comes into Its Own,” Seattle Post-Intelligencer (December 17, 1999) pdf
David Pagel, “Space Exploration,” Los Angeles Times (October 22, 1999) pdf
Sue Spaid, “Seeing Eye,” The Village Voice (April 27, 1999)
Carol Vogel, “Inside Art,” The New York Times (August 6, 1999)
Anne Wilkes Tucker, “Peer Reviews,” Art News (January 1999)

Vince Aletti, “Voice Choices,” The Village Voice (March 31, 1998)
Vince Aletti, “Voice Choices,” The Village Voice (April 15–21, 1998)
“Art Market,” The Art Newspaper 85 (October 1998)
Linda Brown, “(Not Pictured) The Presence of Absence,” Art Papers (November–December 1998)
Mark Currah, “Uta Barth, London Projects,” timeout.com/london (October 14–21, 1998)
Carol Diehl, “Uta Barth at Bonakdar Jancou,” Art in America 86, no. 10 (October 1998) pdf
Roy Exley, “Uta Barth: London Projects,” Zing Magazine (Winter 1998) pdf
Monica Geran, “Art and Soul,” Interior Design (September 1998)
Michelle Grabner, “Fuzzy Logic,” Cakewalk 1 (Spring–Summer 1998) pdf
Terry Grimley, “Haunting Art from the Kosovo Frontline,” Birmingham Post (June 10, 1998)
Hans Hedberg, “The Photograph as Cannibal,” Index 21 (January 1998)
Robert Hicks, “Blurred Images Used to Highlight the Subject,” The Villager [New York City] (April 15–21, 1998)
Reena Jana, “‘Spread’ at Rena Bransten,” Flash Art (October 1998)
Ken Johnson, “Art Guide,” The New York Times (April 17, 1998)
Charles LaBelle, “Scene of the Crime,” World Art: The Magazine of Contemporary Visual Arts [Melbourne] 16 (1998)
Elizabeth Mahoney, “Claustrophobia,” Art Monthly [London] (July–August 1998)
David Pagel, “Diptych World,” Los Angeles Times (February 13, 1998)
Victoria Pederson, “Uta Barth,” Paper (March 1998)
Andrew Perchuk, “Uta Barth at Bonakdar Jancou,” Artforum 37, no. 1 (September 1998)
Barry Schwabsky, “In Person; The Art of the Camera,” The New York Times (October 4, 1998)
William Thompson, “Monumental Photographs,” Spot (Autumn 1998)
Julia Thrift, “L.A. Cool,” timeout.com/london (May 20–27, 1998)
Jan Tumlir, “Uta Barth at ACME.,” Art & Text 62 (August–September 1998)
“Uta Barth,” Flash Art vol. 31, no. 202 (October 1998) pdf

Vince Aletti, “Our Biennial,” The Village Voice (January 21, 1997)
Vince Aletti, “Uta Barth/Rineke Dijkstra/Tracey Moffatt/Inez van Lamsweerde,” The Village Voice (July 25, 1997)
Daniel Birnbaum, “Dånande våldshyllning och tyst laboratorium,” Dagens Nyheter [Stockholm] (November 18, 1997)
Eleanor Charles, “Westchester Guide,” The New York Times (March 23, 1997)
Tom Folland, “Uta Barth: S. L. Simpson Gallery,” Parachute 86 (Spring 1997)
David A. Greene, “Flashback,” The Village Voice (August 19, 1997)
Hans Hedberg, “Bakgrunden träder fram,” Svenska Dagbladet [Stockholm] (November 15, 1997)
Susan Kandel, “Pointed Images,” Los Angeles Times (June 27, 1997)
Christopher Knight, “There Is Evidence of Good Work Found at ‘Scene of Crime’,” Los Angeles Times (July 29, 1997)
Luigi Meneghelli, “Portraits of Interiors,” Flash Art (February–March 1997)
Watt Mitchell, “Review,” Casco Bay Weekly [Portland, Maine] (December 1997)
David Pagel, “Inside Jobs: Portraits of Interiors,” Los Angeles Times (August 1, 1997)
Ralph Rugoff, “L.A.’s Female Art Explosion,” Harper’s Bazaar (April 1997)
Michael Scott, “Backgrounds Come to the Fore,” Vancouver Sun (April 19, 1997)
Bill Stament, “Uta Barth: Field #20 and Field #21,” Chicago Sun-Times (June 25, 1997)
Jeanne S. M. Willette, “Reinventing Photography,” Artweek 28, no. 7 (July 1997)
Silvio Wolf, “Le Rangioni della nuova–Fotographia analogica,” Tema Celeste (March–April 1997)

Vince Aletti, “Voice Choices,” The Village Voice (April 9, 1996)
Vince Aletti, “Voice Choice: Making Pictures: Women and Photography, 1975–Now,” The Village Voice (November 19, 1996)
Clemens Altgård, “De sju provokatörerna,” Sydsvenska Dagbladet [Malmö, Sweden] (October 8, 1996)
Sara Arrhenius, “Död eller,” Aftonbladet [Stockholm] (October 16, 1996)
Daniel Birnbaum, “Måleri i nya skepnader,” Dagens Nyheter [Stockholm] (October 15, 1996)
C. B. Brisley, “MoMA: New Photography 11,” Art Press 209 (January 1996)
Kelvin Browne, “More to Those Images Than Meets the Eye,” The Financial Post [Toronto] (November 2, 1996)
Fred Camper, “Focus on the Invisible,” Chicago Reader 25, no. 26 (April 5, 1996)
Mårten Castenfors, “Rått avslöjande av måleriets klyschor,” Svenska Dagbladet [Stockholm] (October 19, 1996)
Elisabet Corlin, “The Extended Field,” När & Var (November 15, 1996–February 1, 1997)
Joan Crowder, “Nature Redux: A Landscape of L.A. Photographers,” Santa Barbara News Press (December 14, 1996)
Cathy Curtis, “Filling the ‘Absence’,” Los Angeles Times (April 4, 1996)
Sheila Dewan, “Quiet Please,” Houston Press (October 3–9, 1996)
Abigail Foerstner, “Altered Perception,” Chicago Tribune (May 12, 1996)
Jeremy Gilbert-Rolfe, “Cabbages, Raspberries and Video’s Thin Brightness,” Art & Design: Painting in the Age of Artificial Intelligence 48 [London] (May–June 1996)
Viviana Gravano, “Il Rapporto annuale 1995–96: Città minori assai interessanti,” Giornale dell’Arte (November 1996)
Kathryn Hixon, “Clarity,” New Art Examiner (May 1996)
Hans Johansson, “Maleriskt Foto,” Göteborg Observer (December 8, 1996)
Patricia C. Johnson, “Communication, or Lack of It, Is Exhibit’s Theme,” Houston Chronicle (September 20, 1996)
Betty Ann Jordan, “Uta Barth and Michael Snow at S. L. Simpson,” The Globe and Mail [Toronto] (November 2, 1996)
Jessica Kempe, “Klargörande som tidsuttryck—nollgradig som konstupplevelse,” Dagens Nyheter [Stockholm] (October 15, 1996)
Soo Jin Kim, “Undoing Space,” Art and the Home, ed. David A. Greene, Art and Design 11, nos. 11/12 (November–December 1996)
Jörgen Klinthage, “På jakt efter bilder Måleriet som utvidgat fält på Rooseum i Malmö,” Hallandsposten [Halmstad, Sweden] (October 28, 1996)
Kay Koeniger, “Photographs Document Human Places Mostly by Leaving People Out,” Columbus Dispatch (March 23, 1996)
Kim Leddy, “Artifacts in Emulsion,” Columbus Alive [Ohio] (February 19–25, 1996)
Bo Madestrand, “Humla utan båt?” Expressen [Stockholm] (October 16, 1996)
Conny C-A. Malmqvist, “Ryktet om måleriets död är betydligt överdrivet,” Kvällsposten [Malmö, Sweden] (October 20, 1996)
Luigi Meneghelli, “Interrogativi sul fotografare,” L’Arena [Verona, Italy] (October 24, 1996)
Marianne Nanne-Bråhammar, “Måleri är inte bara…Nya utvecklingstendenser på Rooseum,” Arbetet Nyheterna [Malmö and Göteborg, Sweden] (October 20, 1996)
Brita Orstadius, “Rooseum: En mjuk provokation,” Borås Tidning [Borås, Sweden] (November 11, 1996)
Adriano Pedrosa, “Uta Barth: Museum of Contemporary Art, Los Angeles,” Frieze (May 1996)
Nancy Princenthal, “Uta Barth…In Passing,” On Paper 1, no. 2 (November–December 1996)
Roberta Smith, “The Annotated Calendar; Photography,” The New York Times (September 8, 1996)
Rebecca Simpson, “Flirting with Reality, MoCA Exhibition Explores Transitions of Photographs, Paintings,” Miami SunPost (December 26, 1996)
Julia Thrift, “Uta Barth,” timeout.com/london (July 15–24, 1996)
Giorgio Trevisan, “Tante pitture nessuna memoria,” L’Arena [Verona, Italy] (July 11, 1996)
Mark Van de Walle, “Uta Barth at Tanya Bonakdar,” Artforum 35, no. 1 (September 1996)
Helga Wachholz, “Belebung und Erneuerung der Malerei?” Handelsblatt [Düsseldorf, Germany] (November 23, 1996)
Lilith Waltenberg, “Måleriet har hittat nya vägar,” Sydsvenska Dagbladet [Malmö, Sweden] (October 6, 1996)
Peter Weiermair, “Portraits of Interiors,” Studio la Città (September 1996)
Jody Zellen, “What Is a Geographical Space? Uta Barth: ACME., MOCA, Los Angeles,” Artpress 209 (January 1996)
Håkan Zeylon, “Ger en känsla av frånvaro,” Sydsvenska Dagbladet [Malmö, Sweden] (October 8, 1996)

Vince Aletti, “Voice Choices,” The Village Voice (February 14, 1995)
Vince Aletti, “New Photography 11,” The Village Voice (November 7, 1995)
Kenneth Baker, “Five at Bransten,” San Francisco Chronicle (September 22, 1995)
David Bonetti, “Gallery Watch,” San Francisco Examiner (September 22, 1995)
Donatella Brun, “Regards: Uta Barth,” Jardin des Modes (Autumn 1995)
Joshua Decter, “Uta Barth at Tanya Bonakdar Gallery,” Artforum 33, no. 8 (April 1995)
Judy Fiskin, “Trompe l’Oeil for Our Time,” Art Issues 40 (November–December 1995)
David A. Green, “Warm and Fuzzy,” Los Angeles Reader (November 3, 1995)
Charles Hagen, “Found Photographs and Chance: Serendipity,” The New York Times (October 27, 1995)
Susan Hapgood, “Uta Barth at Tanya Bonakdar Gallery,” Art in America 83, no. 5 (May 1995)
Alfred Jan, “Barth, Casebere, Gursky, Hoffer, Welling: Five Artists Honor the Integrity of the Photograph,” Artist/Writer 4, no. 9 (November–December 1995)
Susan Kandel, “A Wry Survey of What Artists Collect,” Los Angeles Times (September 28, 1995)
Susan Kandel, “Uta Barth,” Art & Text 52 (September 1995)
Christopher Knight, “Art in All the Right Spaces,” Los Angeles Times (September 21, 1995)
Timothy Martin, “Uta Barth: Focus Series of Exhibitions,” Art Talk (October 1995)
Vivien Raynor, “Art; Photographers Putting Their Eggs in Technology’s Basket,” The New York Times (July 30, 1995)
Ralph Rugoff, “Smear Tactics,” L.A. Weekly (October 20–26, 1995)
Martha Schwendener, “Uta Barth at Tanya Bonakdar Gallery,” New Art Examiner (April 1995)

Vince Aletti, “Voice Choice,” The Village Voice (July 28, 1994)
Vince Aletti, “Voice Choice,” The Village Voice (August 3, 1994)
Peter Frank, “Pick of the Week: ‘The World of Tomorrow’,” L.A. Weekly (March 3, 1994)
Peter Frank, “Tracing L.A.’s Influence on Artists,” Long Beach Press Telegram (March 3, 1994)
Charles Hagen, “Review: Wooster Gardens,” The New York Times (January 28, 1994)
Alfred Jan, “Photos Beyond Description,” Artist/Writer 36 (June 1994)
Amelia Jones, “Uta Barth at domestic setting,” Art Issues 35 (November–December 1994)
Julie Joyce, “Images of Anywhere,” Artweek 25, no. 16 (August 18, 1994)
Christopher Knight, “A Suggestion of Cultural Edginess,” Los Angeles Times (March 10, 1994)
Catherine Maclay, “Taking Realism to the Extreme,” San Jose Mercury News (May 13, 1994)
Suzanne Muchnic, “Uta Barth and Vikky Alexander,” Art News (November 1994)
David Pagel, “Life’s Intermissions,” Los Angeles Times (July 28, 1994)
David Pagel, “Taking a Glimpse into ‘The World of Tomorrow’,” Los Angeles Times (February 24, 1994)
John Papageorge, “Putting Abstract Photograph in Focus,” Santa Rosa Press Democrat (May 16, 1994)
Michael Rogers, “Love and Art amid the Ruins of California’s Paradise Lost,” Orange County Register (March 11, 1994)

Michael Anderson, “‘A Carafe, That Is a Blind Glass’ and ‘Sugar ‘n’ Spice’,” Art Issues (May–June 1993)
Peter Kosenko, “FAR BAZAAR at the Old Federal Reserve Bank Building, Los Angeles,” Artweek 24, no. 2 (January 21, 1993)
Timothy Nolan, “Reading Lessons,” Artweek 24, no. 7 (April 8, 1993)
David Pagel, “Smart and Sensuous,” Los Angeles Times (March 4, 1993)
Jan Tumlir, “Homebodies: P.O.P. at 1529 Wellesley,” Artweek 24, no. 6 (March 18, 1993)

Vince Aletti, “Voice Choices: ‘Voyeurism’,” The Village Voice (March 3, 1992)
Peter Frank, “Far Out of Art/LAX,” L.A. Weekly (December 4, 1992)
Peter Frank, “Pick of the Week: ‘Far Bazaar’,” L.A. Weekly (December 18, 1992)
Shauna Snow, “Artists Cash In on Empty Bank Building,” Los Angeles Times (December 2, 1992)

Graham Howe and Pilar Perez, “Portfolio 1991 – Southern California,” Frame/Work 4, no. 2 (1991)
Jeanette Ross, “Kicking Their Gurus,” Artweek (October 3, 1991)
Will Spearman, “L.A. Artists Forego Glitz for Truth,” Idaho Statesman (September 6, 1991)

Joan Crowder, “Catching the Spirit of Our Time,” Santa Barbara News Press (November 23, 1990)
Cathy Curtis, “Brain Busters,” Los Angeles Times, Orange County Edition (June 28, 1990)
Cathy Curtis, “Costa Mesa Group Exhibit Unified by Provocative Nature,” Los Angeles Times, Orange County Edition (June 25, 1990)
Gene Harbrecht, “The Conceptual Impulse,” Orange County Register (June 29, 1990)
Josef Woodard, “Spirit of Our Time,” Artweek 21, no. 43 (December 20, 1990)

Dinah Berland, “An Elegant, Graphic Photo Vision,” Long Beach Press Telegram (February 26, 1989)
Lance Carlson, “…Or, Images of a Make-Believe Reality?” Artweek (September 30, 1989)
Cathy Curtis, “Photography Lies and Tricks Are Focus of ‘Investigations’,” Los Angeles Times (October 23, 1989)
Marlene Donohue, “Galleries–Reviews,” Los Angeles Times (September 29, 1989)
Peter Frank, “Art Pick of the Week: ‘Landscape Constructions: Thick and Thin’,” L.A. Weekly (October 20–26, 1989)
David French, “Uta Barth,” Visions: Art Quarterly 3, no. 3 (Spring 1989)
Colin Gardner, “Uta Barth at the Los Angeles County Museum of Art,” Artforum 28, no. 3 (November 1989)
Andy Grundberg, “Photography: A Selective Guide,” The New York Times (September 10, 1989)
Susan Kandel, “L.A. in Review: ‘Deliberate Investigations’,” Arts Magazine (December 1989)
Christopher Knight, “Finding the Point of ‘Deliberate’,” Los Angeles Herald Examiner (June 23, 1989)
Christopher Knight, “Narrative Puzzle to Please Eye,” Los Angeles Herald Examiner (June 23, 1989)
Marina La Palma, “A Painterly Reading of Photographed Imagery,” Artweek (September 30, 1989)
Ben Marks, “Reality Lies Somewhere In-Between,” Santa Monica Bay News (September 15–22, 1989)
David Pagel, “Disposable Diagrams,” Artweek (October 14, 1989)
Diana Rico, “For Los Angeles Artists, Media Is the Subject,” International Herald Tribune (April 28, 1989)
Ralph Rugoff, “Remembering the Present: Advertisements Against Our Own Amnesia,” L.A. Weekly (November 3–9, 1989)
“Unconventional Perspectives: The Emerging Image,” L.A. Style Magazine, Fourth Anniversary Issue: Photography in Los Angeles (June 1989)

Dinah Berland, “The Truth of Proof and Perjury,” Los Angeles Times (October 6, 1985)
David French, “Pick of the Week,” L.A. Weekly (May 17–23, 1985)
Chris Keledjian, “Ironies and Contradictions,” Artweek (October 12, 1985)