- 2023
- 2023
- 2022
- 2021
- 2021
- 2020
- 2019
- 2019
- 2018
- 2017
- 2016
- 2015
- 2015
- 2014
-
2013
- Deborah Bright and Douglas Nickel, America in View: Landscape Photography 1865 to Now
- Karen Hellman, The Window in Photographs
- Jackie Higgins, Why It Does Not Have To Be In Focus: Modern Photography Explained
- Jackie Higgins, Why It Does Not Have To Be In Focus: Modern Photography Explained
- Jens Hoffmann, Lens Drawings
- Mary Warner Marien, 100 Ideas that Changed Photography
- Jane Tormey, Photographic Realism: Late Twentieth-Century Aesthetics
- Museum Look Book
- Oppenheimer Collection
- Tate Diary 2013
- Rosa Olivares, 100 Fotógrafos Europeos
- 2012
- 2011
-
2010
- Zabludowicz Collection: The Library of Babel – In And Out of Place
- Peter Marzio, American Art & Philanthropy: Twenty Years of Collecting at the Museum of Fine Arts, Houston
- Kevin Moore, James Krump, Larry Rubinfien; Starburst: Color Photography in America 1970–1980
- exh. cat., Magazin 3, Stockholm Stockholm: Stockholm Konsthall, 2010
- 2009
-
2008
- Rachel Kent and Stephanie Hanor, Southern Exposure
- Lynne Zelevansky, et al., BCAM/LACMA/2008: The Broad Contemporary Art Museum at the Los Angeles County Museum of Art
- Inside/Outside: Interior and Exterior in Contemporary German Photography
- This Side of Paradise: Body and Landscape in Los Angeles Photographs
-
2007
- Roswell Angier, Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography
- exh. cat., High Energy Constructs, Los Angeles Los Angeles: High Energy Constructs, 2007
- Trevor Richardson, ed., Landscape Topographies
- Pamela Roberts, A Century of Colour Photography
- essays by Thierry de Duve, Edith Futscher, exh. cat., Sammlung Verbund, Vienna Vienna: Sammlung Verbund and Ostfildern: Hatje-Cantz Verlag, 2007
- Gabriele Schor, ed., Held Together With Water: Art from the Sammlung Verbund
- exh. cat., Metropolitan Museum of Art, New York City New York City: Metropolitan Museum of Art, 2007
- Viewfinder
- 2006
- 2005
- 2004
- 2003
-
2002
- Victoria Fu, Global Address
- Klaus Kertess, Photograph Transformed: The Metropolitan Bank and Trust Collection
- Mary Warner Marien, Photography: A Cultural History
- Modern Contemporary: Art at MoMA since 1980
- Blink: 100 Photographers, 10 Curators, 10 Writers
- exh. cat., Edition Schellmann, Munich and New York City Munich and New York City: Edition Schellmann, 2002
- Visions of America: Photography from the Whitney Museum of American Art 1940–2001
- We Love Painting: Contemporary Art from the Misumi Collection
- 2001
-
2000
- Jan Brockmann, Imperfektum
- Helen Burnham, “Uncanny Insites,” Insites: Interior Spaces in Contemporary Art
- exh. cat., J. Paul Getty Museum, Los Angeles Los Angeles: J. Paul Getty Museum, 2000
- David S. Rubin, Photography Now: An International Survey of Contemporary Photography
- Frame: Uta Barth, Duncan Higgins, Carter Potter
- Fresh Cream
- Themes Out of School: Art & Education in Los Angeles
- Uta Barth: nowhere near
-
1999
- New York City: McGraw-Hill, 1999, 3rd ed.
- Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime
- Mark Johnstone, Contemporary Art in Southern California
- essay by Michael Pittari, exh. cat., Nexus Contemporary Art Center, Atlanta Atlanta: Nexus Contemporary Art Center, 1999
- Threshold: Invoking the Domestic in Contemporary Art
- Stockholm: Public Art Project, 1999
- Xets KOFTA
- 1998
- 1997
-
1996
- Barbara Hofmann, Der soziale Blick: Gesellschaftliche Bezugspunkte künstlericher Photographie
- Rexh. cat., Los Angeles County Museum of Art (LACMA) Los Angeles: Los Angeles County Museum of Art, 1995
- Clarity
- Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles
- ...e la chiamano pittura
- Painting: The Extended Field
- exh. cat. Guggenheim Gallery, Chapman University, Orange, California Orange: Guggenheim Gallery, Chapman University, 1996
- Portraits of Interiors
- Surface: Contemporary Photographic Practice
- 1995
-
1994
- exh. cat., The Friends of Photography/Ansel Adams Center for Photography, San Francisco San Francisco: The Friends of Photography/Ansel Adams Center for Photography, 1994
- Breda Fotografica ‘94: Los Angeles
- exh. cat., Southern Exposure, San Francisco and SITE, Los Angeles San Francisco: Southern Exposure; and Los Angeles: SITE, 1994
- Love in the Ruins
- Venice Art Walk ‘94
- 1993
- 1991
- 1990
- 1989
2023
Edited by Antawan I. Byrd, Elizabeth Siegel: The Art Institute of Chicago Field Guide to Photography and Media
Art Institute of Chicago, 2023
2023
ARTFORUM, May 2023 VOL. 61 NO. 9
2022
Roxana Marcoci: Our Selves, Photographs by Women Artists
New York: The Museum of Modern Art, 2022
2021
Cite 102: The Architecture and Design Review of Houston
Houston: Rice Design Alliance/Rice University, 2021
2021
2020
Photography to the Test of Abstraction
La Photographie À L’Épreuve de L’Abstraction
Berlin: Hatje Cantz, 2020
2019
2019
2018
2017
Barbara London, Jim Stone, John Upton: Photography (12th ed.)
Pearson Education, Boston, 2017
Paul Lowe: 1001 Photographs You Must See Before You Die
London: Cassell Illustrated, A Division of Octopus Publishing Group Limited, 2017
2016
Giuliana Bruno: Superfici – A proposito di estetica, materialità e media.
Italy: Johan & Levi, 2016
Melissa E. Feldman: Another Minimalism – Art After California Light and Space
Edinburgh: Fruitmarket Gallery, 2016
Phaidon Editors: Art is the Highest Form of Hope & Other Quotes by Artists
London: Phaidon Press Limited, 2016
2015
2015
Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Melster; essay by David Campany & Noam Ellcott: Photography at MOMA, 1960 to Now
New York: The Museum of Modern Art, 2015
2014
Sandra Praun & Aleksandra Stratimirovic: You Say LIght – I Think Shadow
Stockholm: Art and Theory Publishing, 2014
Jackie Higgins: The World Atlas of Street Photography
London: Thames & Hudson and New Haven: Yale University Press, 2014
2013
Deborah Bright and Douglas Nickel, America in View: Landscape Photography 1865 to Now
exh. cat., Museum of Art, Rhode Island School of Design, Providence: Rhode Island School of Design, 2013
Jackie Higgins, Why It Does Not Have To Be In Focus: Modern Photography Explained
London: Thames and Hudson Ltd. and New York City: Prestel Publishing, 2013
Jackie Higgins, Why It Does Not Have To Be In Focus: Modern Photography Explained
London: Thames and Hudson Ltd. and New York City: Prestel Publishing, 2013
Jens Hoffmann, Lens Drawings
exh. cat., Galerie Marian Goodman, Paris New York City and London: Marian Goodman Gallery and New York City and London: Valerio Valerio Publishers, 2013
Mary Warner Marien, 100 Ideas that Changed Photography
Laurence King Publishing, London, 2013
Jane Tormey, Photographic Realism: Late Twentieth-Century Aesthetics
Manchester: Manchester University Press, 2013
Museum Look Book
Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis Davis: University of California, 2013
Oppenheimer Collection
Nerman Museum of Contemporary Art, Johnson County Community College, Overland Park, Kansas Overland Park: Nerman Museum of Contemporary Art, 2013, 2nd ed.
Tate Diary 2013
London: Tate Museum, 2013
2012
Ian Farr, ed., MEMORY (Whitechapel - Documents of Contemporary Art)
London: The MIT Press (2012)
HUGE: Life is Moment
Tokyo: Huge Magazine 97 (December 2012)
NEWFOUND: An Inquiry of Place vol. 3 no. 2 (Spring 2012)
2011
Rebekah Mondrak and Bill Anthes, Reframing Photography: Theory and Practice
London and New York City: Routledge, 2011
2010
Zabludowicz Collection: The Library of Babel – In And Out of Place
exh. cat., Zabludowicz Collection, London London: 176 Zabludowicz Collection, 2010
Peter Marzio, American Art & Philanthropy: Twenty Years of Collecting at the Museum of Fine Arts, Houston
Houston: The Museum of Fine Arts, Houston, 2010
Kevin Moore, James Krump, Larry Rubinfien; Starburst: Color Photography in America 1970–1980
exh. cat., Princeton University Art Museum, Princeton, New Jersey Princeton: Princeton University Art Museum, 2010
exh. cat., Magazin 3, Stockholm Stockholm: Stockholm Konsthall, 2010
2009
Lyle Rexer, The Edge of Vision: The Rise of Abstraction in Photography
exh. cat., Aperture, New York City New York City: Aperture Foundation, 2009
2008
Rachel Kent and Stephanie Hanor, Southern Exposure
exh. cat., Museum of Contemporary Art San Diego (MCASD), San Diego, California, and Sydney, Australia: Museum of Contemporary Art, Sydney Sydney: Museum of Contemporary Art, 2008
Lynne Zelevansky, et al., BCAM/LACMA/2008: The Broad Contemporary Art Museum at the Los Angeles County Museum of Art
Los Angeles: Los Angeles County Museum of Art, 2008
Inside/Outside: Interior and Exterior in Contemporary German Photography
exh. cat., Museum Küppersmühle für Moderne Kunst, Innenhafen Duisburg, Germany Cologne: Wienand Verlag, 2008
This Side of Paradise: Body and Landscape in Los Angeles Photographs
essays by Jennifer A. Watts, Claudia Bohn-Spector, exh. cat., The Huntington Library, San Marino, California London: Merrell 2008
2007
Roswell Angier, Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography
Lausanne: AVA Publishing SA, 2007
exh. cat., High Energy Constructs, Los Angeles Los Angeles: High Energy Constructs, 2007
Trevor Richardson, ed., Landscape Topographies
exh. cat., Herter Art Gallery, University of Massachusetts, Amherst, Massachusetts Amherst: The University of Massachusetts, 2007
essays by Thierry de Duve, Edith Futscher, exh. cat., Sammlung Verbund, Vienna Vienna: Sammlung Verbund and Ostfildern: Hatje-Cantz Verlag, 2007
Gabriele Schor, ed., Held Together With Water: Art from the Sammlung Verbund
essays by Thierry de Duve, Edith Futscher, exh. cat., Sammlung Verbund, Vienna Ostfildern: Hatje Cantz, 2007
exh. cat., Metropolitan Museum of Art, New York City New York City: Metropolitan Museum of Art, 2007
Viewfinder
essay by Sara Krajewski, exh. cat., Henry Art Gallery, Seattle Seattle: Henry Art Gallery, 2007
2006
Iago Davila, ed., Naturaleza
PHotoEspaña (PHE 06), Festival internacional de fotografía y artes visuales, Madrid Madrid: La Fabrica, 2006
Horacio Fernández, El paisaje fotografíco reciente: De la imagen al territorio
exh. cat., Museo Colecciones ICO, Madrid Madrid: Museo Colecciones ICO, 2006
Constance W. Glenn, ed. City Limits: Shanghai – Los Angeles
essay by Yeonsoo Chee, exh. cat., University Art Museum, California State University, Long Beach Long Beach: California State University, 2006
published proposal, Vancouver Art Gallery, 2006
Colección Jumex, Mexico City Mexico City: Colección Jumex, 2006
2005
2004
David Acton, Keeping Shadows: Photography at the Worcester Art Museum
Worcester, Massachusetts Worcester: Worcester Art Museum 2004
2003
Imperfect Innocence: The Debra and Dennis Scholl Collection
essays by Nancy Spector, Michael Rush, Doug Aitken, James Rondeau, exh. cat., Palm Beach Institute of Contemporary Art, Lake Worth, Florida Lake Worth: Palm Beach Institute of Contemporary Art, 2003
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collection
essays by Nancy Spector, John Hanhardt, exh. cat., Solomon R. Guggenheim Museum, New York City New York City: Solomon R. Guggenheim Museum, 2003
2002
Victoria Fu, Global Address
exh. cat., Fisher Gallery, University of Southern California, Los Angeles Los Angeles: Fisher Gallery, 2002
Klaus Kertess, Photograph Transformed: The Metropolitan Bank and Trust Collection
New York City: Harry N. Abrams, 2002
Mary Warner Marien, Photography: A Cultural History
London: Laurence King Publishing, 2002
Modern Contemporary: Art at MoMA since 1980
Kirk Varnadoe, Paola Antonelli, Joshua Siegel, eds. New York City: The Museum of Modern Art and Harry N. Abrams, 2002
Blink: 100 Photographers, 10 Curators, 10 Writers
suite of images, with essay by Wendy Watriss London: Phaidon Press, 2002
exh. cat., Edition Schellmann, Munich and New York City Munich and New York City: Edition Schellmann, 2002
Visions of America: Photography from the Whitney Museum of American Art 1940–2001
essays by Sondra Gilman Gonzalez-Falla, Andy Grundberg, Sylvia Wolf, exh. cat., Whitney Museum of American Art, New York City New York City: Whitney Museum of American Art, 2002
We Love Painting: Contemporary Art from the Misumi Collection
exh. cat., Museum of Contemporary Art, Tokyo Tokyo: Museum of Contemporary Art, 2002
2001
manger/eat
Alexis Fabry, Celine Fribourg, Gregory Leroy, eds. New York City: Coromandel Design, 2001
2000
Jan Brockmann, Imperfektum
exh. cat., Riksutstillinger, The National Touring Exhibitions Oslo: Riksutstillinger and Goethe-Institut, 2000
Helen Burnham, “Uncanny Insites,” Insites: Interior Spaces in Contemporary Art
exh. cat., Whitney Museum of American Art, New York City New York City: Whitney Museum of American Art, 2000
exh. cat., J. Paul Getty Museum, Los Angeles Los Angeles: J. Paul Getty Museum, 2000
David S. Rubin, Photography Now: An International Survey of Contemporary Photography
exh. cat., Contemporary Arts Center, New Orleans New Orleans: Contemporary Arts Center, 2000
Frame: Uta Barth, Duncan Higgins, Carter Potter
exh. cat., Site Gallery, Sheffield, England Sheffield: Site Gallery, 2000
Themes Out of School: Art & Education in Los Angeles
essay by David Pagel, catalogue of the CAArt collection Beverly Hills: Creative Artists Agency and The CAA Foundation, 2000
Uta Barth: nowhere near
exh. brochure, text by Jan Tumlir, Johnson County Community College Art Gallery, Overland Park, Kansas Overland Park: Johnson County Community College Art Gallery, 2000
1999
New York City: McGraw-Hill, 1999, 3rd ed.
Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime
New York City: Allworth Press and School of Visual Arts, 1999
essay by Michael Pittari, exh. cat., Nexus Contemporary Art Center, Atlanta Atlanta: Nexus Contemporary Art Center, 1999
Threshold: Invoking the Domestic in Contemporary Art
essay by Andrea Inselmann, exh. cat., John Michael Kohler Arts Center, Sheboygan, Wisconsin Sheboygan: John Michael Kohler Arts Center, 1999
Stockholm: Public Art Project, 1999
Xets KOFTA
exh. cat., BildMuseet, Umeå University, Umeå, Sweden Umeå: BildMuseet, Umeå University, 1999
1998
Houston: Rice University, 1998
Abstract Painting, Once Removed
essays by Dana Friis-Hansen, David Pagel, Raphael Rubenstein, Peter Schjeldahl, exh. cat., Contemporary Arts Museum (CAMH), Houston
Houston: Contemporary Arts Museum, 1998
Claustrophobia
essays by Claire Doherty, Soo Jin Kim, exh. cat., Ikon Gallery, Birmingham, England
Birmingham: Ikon Gallery, 1998
Photography at Princeton
essays by Peter Bunnell, Claude Cookman, Malcolm Daniel, Martin Gasser, Ellen Handy, Diane Emery Hulick, Douglas Nickel, exh. cat., The Art Museum, Princeton University, Princeton, New Jersey
Princeton: The Art Museum, Princeton University, 1998
Photography’s Multiple Roles: Art, Documents, Market, Science
exh. cat., Museum of Contemporary Photography, Chicago
Chicago: Museum of Contemporary Photography and New York City: Distributed Art Publishers, 1998
exh. cat., Liljevalchs Konsthall, Stockholm Stockholm: Liljevalchs Konsthall, 1998
1997
Blueprint
essays by Pierre Bismuth, Saskia Box, Hans den Hartog Jager, exh. cat. and audio CD, De Appel Foundation, Amsterdam
Amsterdam: De Appel Foundation, 1997
The Citibank Private Bank Photography Prize 1997
essays by Richard Cork, Tessa Trager, Paul Wombell, exh. cat., Royal College of Art, London
London: Royal College of Art, 1997
Defining Eye: Women Photographers of the 20th Century
essays by Lucy Lippard, Olivia Lahs-Gonzales, exh. cat., St. Louis Art Museum, St. Louis
St. Louis: St. Louis Art Museum, 1997
Evidence: Photography and Site
essays by Mark Robins, Sarah J. Rogers, Lynne Tillman, exh. cat., Wexner Center for the Arts, Columbus
Columbus: Wexner Center for the Arts, 1997
Scene of the Crime
essays by Ralph Rugoff, Anthony Vidler, Peter Wollen, exh. cat., Armand Hammer Museum of Art, Los Angeles
Los Angeles: Armand Hammer Museum of Art and Cambridge, Mass.: The MIT Press, 1997
exh. cat., Parco Gallery, Tokyo Tokyo: Parco Gallery, 1997
1996
Barbara Hofmann, Der soziale Blick: Gesellschaftliche Bezugspunkte künstlericher Photographie
Frankfurt am Main: Art Frankfurt, 1996
Rexh. cat., Los Angeles County Museum of Art (LACMA) Los Angeles: Los Angeles County Museum of Art, 1995
Clarity
essay by Grant Samuelsen, exh. cat., Northern Illinois University Art Gallery, Chicago
Chicago: Northern Illinois Art Gallery, 1996
Defining the Nineties: Consensus-Making in New York, Miami, and Los Angeles
essay by Michael Duncan, exh. cat., Museum of Contemporary Art, North Miami
North Miami: Museum of Contemporary Art, 1996
...e la chiamano pittura
essay by Mario Bertoni, exh. cat., Studio la Città, Verona, Italy
Verona: Studio la Città, 1996
Painting: The Extended Field
essays by David Neuman, Bo Nilsson, Sven-Olov Wallenstein, exh. cat., Rooseum, Centre for Contemporary Art, Malmö, Sweden, and Magazin 3, Stockholm Konsthall, Stockholm Malmö: Centre for Contemporary Art and Stockholm: Stockholm Konsthall, 1996
exh. cat. Guggenheim Gallery, Chapman University, Orange, California Orange: Guggenheim Gallery, Chapman University, 1996
Portraits of Interiors
essay by Peter Weiermair, exh. cat., Studio la Città, Verona, Italy
Verona: Studio la Citta, 1996
Surface: Contemporary Photographic Practice
Simon Browning, Michael Mack, Sean Perkins, eds.
London: Booth-Clibborn Editions, 1996
1995
exh. cat., Bruce Museum of Arts and Science, Greenwich, Connecticut New York City: Independent Curators International, 1995
1994
exh. cat., The Friends of Photography/Ansel Adams Center for Photography, San Francisco San Francisco: The Friends of Photography/Ansel Adams Center for Photography, 1994
Breda Fotografica ‘94: Los Angeles
essay by Jean Ruiter, exh. cat., De Beyerd Center for Contemporary Art, Breda, The Netherlands
Breda: De Beyerd Center for Contemporary Art, 1994
exh. cat., Southern Exposure, San Francisco and SITE, Los Angeles San Francisco: Southern Exposure; and Los Angeles: SITE, 1994
Love in the Ruins
essay by Noriko Gamblin, exh. cat., Long Beach Museum of Art, Long Beach
Long Beach: Long Beach Museum of Art, 1994
Venice Art Walk ‘94
Venice, California: Venice Family Clinic, 1994
1993
exh. cat., Weingart Gallery, Los Angeles Los Angeles: Weingart Gallery, 1993
Index in French
essay by Marilu Knode, exh. cat., California Museum of Photography, University of California, Riverside
Riverside: California Museum of Photography, 1993
1991
L. A. Times: Eleven Los Angeles Artists
essay by Jacqueline S. Crist, exh. cat., Boise Art Museum, Boise
Boise: Boise Art Museum, 1991
1990
exh. cat., Security Pacific Gallery, Costa Mesa, California Costa Mesa: Security Pacific Gallery, 1990
exh. cat., Addison Gallery of American Art, Andover, Massachusetts Andover: Addison Gallery of American Art, 1990
1989
